数字再解释时代的艺术:划痕日志

IF 0.2 3区 艺术学 0 THEATER CANADIAN THEATRE REVIEW Pub Date : 2021-10-01 DOI:10.3138/ctr.188.014
Jivesh Parasram, Tom Arthur Davis
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引用次数: 0

摘要

摘要:Jivesh Pararam和Tom Arthur Davis(流行病剧院的联合领导)报道了一项远程合作实验,思考了新冠肺炎疫情给戏剧艺术家带来的挑战,以及对数字表演和数字复制更广泛的哲学和技术关注。在将他们自己的作品在形式和基调上发生变化的理由置于背景中,并承认疫情对新的表演创作带来的挑战后,他们解释了自己的反应——通过使用谷歌文档进行几乎即时的文本协作来创建新的对话——并提供了正在进行的作品的“样本”。最后,他们将这部新作品置于加勒比文化中发展起来的采样的艺术和政治背景下,质疑早期学术中遗漏了这种文化实践。
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Art in the Age of Digital Re-Interpretation: Scratch Log
Abstract:Jivesh Parasram and Tom Arthur Davis (joint leadership of Pandemic Theatre) report on an experiment in long-distance collaboration, pondering the challenges the COVID-19 pandemic has generated for theatre artists amid broader philosophical and technical concerns about digital performance and digital reproduction. After contextualizing their own work’s rationale for shifts in form and tone, and acknowledging the challenges that the pandemic posed to new performance creation, they explain their own response—creation of new dialogues through nearly instantaneous textual collaboration using Google Docs—and provide “samples” of the work-in-progress that has emerged. Finally, they situate this new work in the artistic and political context of sampling as it developed in Caribbean culture, questioning the omission of such cultural practices from early scholarship.
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CiteScore
0.30
自引率
33.30%
发文量
54
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