技巧或推特:ArtActivistBarbie作为魔术师

IF 0.4 Q4 INTERNATIONAL RELATIONS Peace Review-A Journal of Social Justice Pub Date : 2023-03-16 DOI:10.1080/10402659.2023.2181691
Sarah M. Williamson, Elizabeth M. Williamson
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引用次数: 0

摘要

这篇文章介绍了“艺术活动家芭比娃娃”,一个现代的恶作剧者,他借鉴了民间传说和神话中的恶作剧者原型和传统。这涉及到芭比娃娃在国家美术馆和画廊以“艺术活动家芭比”的身份进行挑衅性的表演,一位无所畏惧的女权主义活动家。成千上万的人在推特上关注ArtActivistBarbie,欣赏她在她所描述的“绘画的父权宫”中的表演作品,这通常带有一丝智慧。她颠覆性的、好玩的颠覆和创造性的干预提出了关于性别和许多公共艺术收藏中的不平等的问题。需要像艺术活动家芭比这样的当代女性骗子来阐明和挑战社会不公正。
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Trick or Tweet: ArtActivistBarbie as Trickster
This article introduces ‘ArtActivistBarbie’, a modern day Trickster who draws upon the Trickster archetype and traditions found in folklore and myth. This involves the provocative staging of Barbie dolls in national art museums and galleries as ‘ArtActivistBarbie’, a fearless feminist activist. Thousands follow ArtActivistBarbie on Twitter, enjoying her performative work in what she describes as ‘Patriarchal Palaces of Painting’, and which is often served with a dash of wit. Her subversive, playful disruption and creative interventions asks questions and raises issues about gender and the inequalities in many public art collections. There is a need for more contemporary female Tricksters such as ArtActivistBarbie to illuminate and challenge societal injustice.
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来源期刊
Peace Review-A Journal of Social Justice
Peace Review-A Journal of Social Justice INTERNATIONAL RELATIONS-
CiteScore
0.40
自引率
0.00%
发文量
57
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