{"title":"普拉多博物馆奥维耶多大教堂圣方舟展览（1935年）","authors":"Juan Carlos Aparicio Vega","doi":"10.1387/ARS-BILDUMA.22268","DOIUrl":null,"url":null,"abstract":"In 1935 the Prado Museum's audience had the opportunity to admire the Holy Ark (c. 1096-1101) belonging to the Oviedo Cathedral, one of the most unique reliquaries of European Romanesque and an essential piece of the Holy Chamber, outside its usual setting for the first time. This display was connected to its restoration at the Instituto Valencia de Don Juan. The extensive historiography on this masterpiece barely contains any entries about this exhibition, which we now narrate it here, based on unpublished documents.","PeriodicalId":40150,"journal":{"name":"Ars Bilduma","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La exposición del Arca Santa de la Catedral de Oviedo en el Museo del Prado (1935)\",\"authors\":\"Juan Carlos Aparicio Vega\",\"doi\":\"10.1387/ARS-BILDUMA.22268\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In 1935 the Prado Museum's audience had the opportunity to admire the Holy Ark (c. 1096-1101) belonging to the Oviedo Cathedral, one of the most unique reliquaries of European Romanesque and an essential piece of the Holy Chamber, outside its usual setting for the first time. This display was connected to its restoration at the Instituto Valencia de Don Juan. The extensive historiography on this masterpiece barely contains any entries about this exhibition, which we now narrate it here, based on unpublished documents.\",\"PeriodicalId\":40150,\"journal\":{\"name\":\"Ars Bilduma\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-03-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ars Bilduma\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1387/ARS-BILDUMA.22268\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ars Bilduma","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1387/ARS-BILDUMA.22268","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
La exposición del Arca Santa de la Catedral de Oviedo en el Museo del Prado (1935)
In 1935 the Prado Museum's audience had the opportunity to admire the Holy Ark (c. 1096-1101) belonging to the Oviedo Cathedral, one of the most unique reliquaries of European Romanesque and an essential piece of the Holy Chamber, outside its usual setting for the first time. This display was connected to its restoration at the Instituto Valencia de Don Juan. The extensive historiography on this masterpiece barely contains any entries about this exhibition, which we now narrate it here, based on unpublished documents.
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