伦敦引入入场费:击剑奖品、熊饵竞技场和投机起源

IF 0.2 0 THEATER Early Theatre Pub Date : 2021-12-17 DOI:10.12745/et.24.2.4177
Oliver W. Gerland III
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引用次数: 0

摘要

中世纪的表演者在表演中从围观的人群中收集硬币。到1570年,整个伦敦的表演者在演出前收取入场费作为入场条件。何时、如何、由谁引入入场费?根据大卫·凯斯曼(David Kathman)的研究,我认为是16世纪30年代末,旅行球员将入场费制度引入伦敦,之后,动物诱饵企业家和击剑兄弟会采用并完善了这一制度。综上所述,本文为神社供奉实践中的入场费制度提供了一个思辨的来源。
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The Introduction of Admission Fees in London: Fencing Prizes, Bearbaiting Arenas, and Speculative Origins
Medieval performers gathered coins during a show from people assembled to see them. By 1570, performers throughout London collected admission fees before a show as a condition of entry. When, how, and by whom were admission fees introduced? Based on the research of David Kathman, I argue that travelling players brought the admission fee system to London in the late 1530s, after which animal baiting entrepreneurs and the fencing brotherhood adopted and refined it. In conclusion, this essay offers a speculative origin for the admission fee system in the practice of shrine keeping.
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Early Theatre
Early Theatre THEATER-
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