{"title":"从女孩到劳雷尔（或如何成为一棵树）：理查德·施特劳斯和约瑟夫·格雷戈的达芙妮","authors":"Manuel Antonio Díaz Gito","doi":"10.5209/AMAL.54525","DOIUrl":null,"url":null,"abstract":"Second part of a two-section article that analyses the extensive reinterpretation of Daphne’s myth in the opera Daphne (1938) by composer Richard Strauss and librettist Joseph Gregor, who used the version of the myth by Parthenius of Nicaea better than that by Ovid. Its ultimate aim is to examine Strauss’ statement about his new opera’s meaning and if the authors managed to achieve their objective by means of manipulating the mythical storyline.","PeriodicalId":40412,"journal":{"name":"Amaltea-Revista de MitocrItica","volume":"9 1","pages":"65-81"},"PeriodicalIF":0.1000,"publicationDate":"2017-09-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.5209/AMAL.54525","citationCount":"1","resultStr":"{\"title\":\"De niña a laurel (o de cómo convertirse en árbol): Daphne de Richard Strauss y Joseph Gregor\",\"authors\":\"Manuel Antonio Díaz Gito\",\"doi\":\"10.5209/AMAL.54525\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Second part of a two-section article that analyses the extensive reinterpretation of Daphne’s myth in the opera Daphne (1938) by composer Richard Strauss and librettist Joseph Gregor, who used the version of the myth by Parthenius of Nicaea better than that by Ovid. Its ultimate aim is to examine Strauss’ statement about his new opera’s meaning and if the authors managed to achieve their objective by means of manipulating the mythical storyline.\",\"PeriodicalId\":40412,\"journal\":{\"name\":\"Amaltea-Revista de MitocrItica\",\"volume\":\"9 1\",\"pages\":\"65-81\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2017-09-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.5209/AMAL.54525\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Amaltea-Revista de MitocrItica\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5209/AMAL.54525\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Amaltea-Revista de MitocrItica","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5209/AMAL.54525","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
De niña a laurel (o de cómo convertirse en árbol): Daphne de Richard Strauss y Joseph Gregor
Second part of a two-section article that analyses the extensive reinterpretation of Daphne’s myth in the opera Daphne (1938) by composer Richard Strauss and librettist Joseph Gregor, who used the version of the myth by Parthenius of Nicaea better than that by Ovid. Its ultimate aim is to examine Strauss’ statement about his new opera’s meaning and if the authors managed to achieve their objective by means of manipulating the mythical storyline.
期刊介绍：
Founded in 2008 by José Manuel Losada, Amaltea (ISSN-e 1989-1709) is a journal of myth criticism with intimate connections to Asteria, the International Association of Myth Criticism, and the Universidad Complutense de Madrid. Its object of study is the way ancient, medieval and modern myths are perceived and adapted in literature and the arts from 1900 to the present day.
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