Piles of Bones

Abstract Incorporating reindeer remains into haunting art installations, with Pile o’Sápmi, Máret Ánne Sara manifests how Norwegian forced culls impact Sámi autonomy. Mobilising the notion of animal colonialism, this article places Norwegian reindeer policy in a global history of colonisation through targeting animals upon which Indigenous peoples depend. Turning the gaze toward the North, it reads Sámi art and activism with Indigenous critique to examine how colonisation in Europe itself continues today. Whereas most interpretations stop at affirming Sara’s accusation of colonialism, this article argues that her work expands our understanding of it. Pile o’Sápmi unveils the performative aspect of colonial sovereignty, whilst her insistence on centralising reindeer indicates an opportunity for postcolonial studies to decolonise its own anthropocentrism. Simultaneously, her work escapes the violence it bears witness to. Seen through the lens of Sámi aesthetics or duodji, Pile o’Sápmi tends to localised interspecies ecologies and shows the value of art in doing the work of decoloniality.