{"title":"构建余生,重建救世:日本中世纪的恩玛堂与恩玛尊教","authors":"Miriam Chusid","doi":"10.1215/00666637-7329882","DOIUrl":null,"url":null,"abstract":"abstract:By the thirteenth century in Japan, King Enma (Sanskrit: Yama-rāja) had become a familiar deity in the Buddhist pantheon. Largely understood as the judge of one’s past deeds, Enma’s position as one king in a series of ten was common knowledge, and offerings made to him, as well as to the other nine, served to ensure the petitioner a favorable rebirth in his or her next life. This article brings to light Enma’s roles independent of this schema. It argues that far from serving solely as the judge of one’s actions, Enma could be a figure to whom one petitioned for worldly benefits and even directed prayers for salvation. In addition, this essay shows that the architectural and spatial settings in which Enma was placed influenced the understanding of his varied functions, and ultimately enabled his refiguration as a salvific deity who had the power to grant birth in a Buddha land.","PeriodicalId":41400,"journal":{"name":"ARCHIVES OF ASIAN ART","volume":"69 1","pages":"21 - 53"},"PeriodicalIF":0.2000,"publicationDate":"2019-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Constructing the Afterlife, Reenvisioning Salvation: Enma Halls and Enma Veneration in Medieval Japan\",\"authors\":\"Miriam Chusid\",\"doi\":\"10.1215/00666637-7329882\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"abstract:By the thirteenth century in Japan, King Enma (Sanskrit: Yama-rāja) had become a familiar deity in the Buddhist pantheon. Largely understood as the judge of one’s past deeds, Enma’s position as one king in a series of ten was common knowledge, and offerings made to him, as well as to the other nine, served to ensure the petitioner a favorable rebirth in his or her next life. This article brings to light Enma’s roles independent of this schema. It argues that far from serving solely as the judge of one’s actions, Enma could be a figure to whom one petitioned for worldly benefits and even directed prayers for salvation. In addition, this essay shows that the architectural and spatial settings in which Enma was placed influenced the understanding of his varied functions, and ultimately enabled his refiguration as a salvific deity who had the power to grant birth in a Buddha land.\",\"PeriodicalId\":41400,\"journal\":{\"name\":\"ARCHIVES OF ASIAN ART\",\"volume\":\"69 1\",\"pages\":\"21 - 53\"},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"ARCHIVES OF ASIAN ART\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/00666637-7329882\",\"RegionNum\":1,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"ARCHIVES OF ASIAN ART","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/00666637-7329882","RegionNum":1,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Constructing the Afterlife, Reenvisioning Salvation: Enma Halls and Enma Veneration in Medieval Japan
abstract:By the thirteenth century in Japan, King Enma (Sanskrit: Yama-rāja) had become a familiar deity in the Buddhist pantheon. Largely understood as the judge of one’s past deeds, Enma’s position as one king in a series of ten was common knowledge, and offerings made to him, as well as to the other nine, served to ensure the petitioner a favorable rebirth in his or her next life. This article brings to light Enma’s roles independent of this schema. It argues that far from serving solely as the judge of one’s actions, Enma could be a figure to whom one petitioned for worldly benefits and even directed prayers for salvation. In addition, this essay shows that the architectural and spatial settings in which Enma was placed influenced the understanding of his varied functions, and ultimately enabled his refiguration as a salvific deity who had the power to grant birth in a Buddha land.
期刊介绍:
Since its establishment in 1945, Archives of Asian Art has been devoted to publishing new scholarship on the art and architecture of South, Southeast, Central, and East Asia. Articles discuss premodern and contemporary visual arts, archaeology, architecture, and the history of collecting. To maintain a balanced representation of regions and types of art and to present a variety of scholarly perspectives, the editors encourage submissions in all areas of study related to Asian art and architecture. Every issue is fully illustrated (with color plates in the online version), and each fall issue includes an illustrated compendium of recent acquisitions of Asian art by leading museums and collections. Archives of Asian Art is a publication of Asia Society.