{"title":"干预礼仪主义者代表圣塞巴斯蒂安和圣露西的木画,由贝尔基奥尔·德·马托斯创作,他是佩尼切杰拉尔德斯小教堂的一幅双联画的组成部分","authors":"Elisabete Ferreira, António João Cruz, C. Rego","doi":"10.14568/CP2020051","DOIUrl":null,"url":null,"abstract":"The panels of Martyrdom of Saint Sebastian and Saint Lucy, executed after 1610 by the Portuguese mannerist painter Belchior de Matos for the main altarpiece of the chapel of Saint Sebastian and Saint Lucy of Geraldes, Peniche, were subject to an intervention of conservation and restoration which aimed, in the first place, to restore the dignity indispensable to their adoption by the community and to their return to a place of worship. The works had several damages, but the most serious were the structural problems that jeopardized their stability and compromised the aesthetic value of the paintings. Therefore, it was necessary to reassemble the boards using a synthetic adhesive (PVA) with sawdust and phenolic resin microspheres. The frames, with significant lack of wood, were reconstituted with wood in the joints and with a filler paste (Araldite SV427) over a bamboo dowels structure in the grooves where the supports are inserted.","PeriodicalId":55942,"journal":{"name":"Conservar Patrimonio","volume":null,"pages":null},"PeriodicalIF":0.4000,"publicationDate":"2021-05-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Intervention in Mannerists wooden paintings representing Saint Sebastian and Saint Lucy, by Belchior de Matos, constituents of a diptych of the chapel of Geraldes, in Peniche\",\"authors\":\"Elisabete Ferreira, António João Cruz, C. Rego\",\"doi\":\"10.14568/CP2020051\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The panels of Martyrdom of Saint Sebastian and Saint Lucy, executed after 1610 by the Portuguese mannerist painter Belchior de Matos for the main altarpiece of the chapel of Saint Sebastian and Saint Lucy of Geraldes, Peniche, were subject to an intervention of conservation and restoration which aimed, in the first place, to restore the dignity indispensable to their adoption by the community and to their return to a place of worship. The works had several damages, but the most serious were the structural problems that jeopardized their stability and compromised the aesthetic value of the paintings. Therefore, it was necessary to reassemble the boards using a synthetic adhesive (PVA) with sawdust and phenolic resin microspheres. The frames, with significant lack of wood, were reconstituted with wood in the joints and with a filler paste (Araldite SV427) over a bamboo dowels structure in the grooves where the supports are inserted.\",\"PeriodicalId\":55942,\"journal\":{\"name\":\"Conservar Patrimonio\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-05-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Conservar Patrimonio\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.14568/CP2020051\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Conservar Patrimonio","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.14568/CP2020051","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Intervention in Mannerists wooden paintings representing Saint Sebastian and Saint Lucy, by Belchior de Matos, constituents of a diptych of the chapel of Geraldes, in Peniche
The panels of Martyrdom of Saint Sebastian and Saint Lucy, executed after 1610 by the Portuguese mannerist painter Belchior de Matos for the main altarpiece of the chapel of Saint Sebastian and Saint Lucy of Geraldes, Peniche, were subject to an intervention of conservation and restoration which aimed, in the first place, to restore the dignity indispensable to their adoption by the community and to their return to a place of worship. The works had several damages, but the most serious were the structural problems that jeopardized their stability and compromised the aesthetic value of the paintings. Therefore, it was necessary to reassemble the boards using a synthetic adhesive (PVA) with sawdust and phenolic resin microspheres. The frames, with significant lack of wood, were reconstituted with wood in the joints and with a filler paste (Araldite SV427) over a bamboo dowels structure in the grooves where the supports are inserted.
期刊介绍:
Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.