糖果过道里的宝贝

IF 1.2 0 HUMANITIES, MULTIDISCIPLINARY Environmental Humanities Pub Date : 2022-03-01 DOI:10.1215/22011919-9481462
Andrew McCumber, Patrick Neil Dryden
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引用次数: 0

摘要

考古学和人类学将动物在神话和民间传说中的存在视为一种文化对自然观念的公理。社会学通常认为现代性不再有这样的神话,但动物意象却比比皆是。在这篇文章中,作者认为,我们与动物和自然的关系主要不是理性或科学的,而是通过这些图像和随之而来的神话形成的。作者将这些图像称为“现代动物百科全书”,以参考中世纪的原始百科全书,该百科全书对动物进行了编目,以进行道德指导。现代动物学(包括字母书、运动队和汽车名称等)产生了一种整体的世界观,将对动物和“自然”的热爱与根本上反生态的宇宙论结合在一起。作者研究了一种特殊的现代动物——糖果货架上的软糖动物动物园。吃小熊软糖不仅仅是美食,也是一种模仿、同情魔法和讲故事的行为,在这种行为中,与动物形成了文化关系。
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The Bestiary in the Candy Aisle
Archaeology and anthropology treat the presence of animals in mythology and folklore as axiomatically about a culture’s ideas of nature. Sociology often assumes modernity no longer has such myths, but animal imagery abounds. In this article, the authors argue that our relationships with animals and nature are not primarily rational or scientific but formed through these images and the mythologies that come with them. The authors call these images “modern bestiaries” in reference to the medieval proto-encyclopedias that cataloged animals for moral instruction. Modern bestiaries (including alphabet books, sports teams, and car names, among others) generate a holistic worldview that marries a deep love of animals and “nature” to a fundamentally anti-ecological cosmology. The authors examine a particular modern bestiary—the menagerie of gummi animals in the candy aisle. Eating a gummi bear is never merely gastronomic but also an act of mimesis, sympathetic magic, and storytelling in which cultural relationships to animals are formed.
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来源期刊
Environmental Humanities
Environmental Humanities HUMANITIES, MULTIDISCIPLINARY-
CiteScore
2.60
自引率
8.70%
发文量
32
审稿时长
20 weeks
期刊最新文献
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