{"title":"我希望,有一天,我会有发言权","authors":"S. Creta","doi":"10.1177/1750635221989566","DOIUrl":null,"url":null,"abstract":"Situated at the intersection of digital migration studies, social movement studies and critical citizenship studies, this article explores how people on the move (migrants, refugees) in Libya use digital media to raise rights violations and to challenge European Union (EU) policies and UN High Commissioner for Refugees (UNHCR) practices. To examine how digital media provide a ‘space of appearance’ for people on the move in Libya, the study presents a qualitative thematic analysis of 49 posts and 986 comments published on the official Facebook page of UNHCR Libya between January 2018 and January 2019. Major themes include criticisms of UNHCR services and EU policies as well as the raising of human rights issues surrounding detention and evacuation. The findings contribute to a deeper understanding of how digital media enable people on the move to raise rights claims, contest official narratives and become active narrators of their individual struggles with the system of control and exclusion that is so deeply embedded in the discourse of securitized humanitarian care at Europe’s border. At the same time, it highlights how issues of digital access and communicative capacity influence visibility and self-expression in the digital space of appearances.","PeriodicalId":45719,"journal":{"name":"Media War and Conflict","volume":"14 1","pages":"366 - 382"},"PeriodicalIF":1.7000,"publicationDate":"2021-01-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1177/1750635221989566","citationCount":"3","resultStr":"{\"title\":\"I hope, one day, I will have the right to speak\",\"authors\":\"S. Creta\",\"doi\":\"10.1177/1750635221989566\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Situated at the intersection of digital migration studies, social movement studies and critical citizenship studies, this article explores how people on the move (migrants, refugees) in Libya use digital media to raise rights violations and to challenge European Union (EU) policies and UN High Commissioner for Refugees (UNHCR) practices. To examine how digital media provide a ‘space of appearance’ for people on the move in Libya, the study presents a qualitative thematic analysis of 49 posts and 986 comments published on the official Facebook page of UNHCR Libya between January 2018 and January 2019. Major themes include criticisms of UNHCR services and EU policies as well as the raising of human rights issues surrounding detention and evacuation. The findings contribute to a deeper understanding of how digital media enable people on the move to raise rights claims, contest official narratives and become active narrators of their individual struggles with the system of control and exclusion that is so deeply embedded in the discourse of securitized humanitarian care at Europe’s border. At the same time, it highlights how issues of digital access and communicative capacity influence visibility and self-expression in the digital space of appearances.\",\"PeriodicalId\":45719,\"journal\":{\"name\":\"Media War and Conflict\",\"volume\":\"14 1\",\"pages\":\"366 - 382\"},\"PeriodicalIF\":1.7000,\"publicationDate\":\"2021-01-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1177/1750635221989566\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Media War and Conflict\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1177/1750635221989566\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Media War and Conflict","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1177/1750635221989566","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"COMMUNICATION","Score":null,"Total":0}
Situated at the intersection of digital migration studies, social movement studies and critical citizenship studies, this article explores how people on the move (migrants, refugees) in Libya use digital media to raise rights violations and to challenge European Union (EU) policies and UN High Commissioner for Refugees (UNHCR) practices. To examine how digital media provide a ‘space of appearance’ for people on the move in Libya, the study presents a qualitative thematic analysis of 49 posts and 986 comments published on the official Facebook page of UNHCR Libya between January 2018 and January 2019. Major themes include criticisms of UNHCR services and EU policies as well as the raising of human rights issues surrounding detention and evacuation. The findings contribute to a deeper understanding of how digital media enable people on the move to raise rights claims, contest official narratives and become active narrators of their individual struggles with the system of control and exclusion that is so deeply embedded in the discourse of securitized humanitarian care at Europe’s border. At the same time, it highlights how issues of digital access and communicative capacity influence visibility and self-expression in the digital space of appearances.
期刊介绍:
Media, War & Conflict is a major new international, peer-reviewed journal that maps the shifting arena of war, conflict and terrorism in an intensively and extensively mediated age. It will explore cultural, political and technological transformations in media-military relations, journalistic practices, and new media, and their impact on policy, publics, and outcomes of warfare. Media, War & Conflict is the first journal to be dedicated to this field. It will publish substantial research articles, shorter pieces, book reviews, letters and commentary, and will include an images section devoted to visual aspects of war and conflict.