书评:Salomi Boukala,《欧洲身份与伊斯兰在主流媒体中的代表:争论与媒体话语》

IF 1.7 Q2 COMMUNICATION Media War and Conflict Pub Date : 2021-11-01 DOI:10.1177/17506352211052722
Wenting Zhao
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引用次数: 1

摘要

欧洲认同和伊斯兰教在主流媒体中的表现可以放在欧洲一体化项目开始以来出现的话语研究的研究体系中(Wodak和Boukala, 2015)。这项研究研究了欧洲的身份认同——是否可能,它面临什么挑战,以及包容和排斥的话语。《欧洲认同与伊斯兰教在主流媒体中的表现》尤其关注欧洲认同的话语建构,这一时期出现了移民潮,特别是来自穆斯林国家的移民潮,创造了被称为流行民族主义话语的新浪潮(Wodak, 2015)。这一研究体系的特点是有两个重叠的重点领域。其中之一是人们如何通过互动来叙述基层身份(Zappettini, 2019)。另一个是关于制度的作用和他们试图强加给人们的身份话语(Wodak和Fairclough, 1997)。Boukala的贡献符合第二点,他研究了欧洲身份在希腊、法国和英国不同国家新闻媒体上的表现。这显然被认为是高度相关的,Galpin(2017)最近出版的另一本重要著作也涵盖了类似的内容。这两本书都探讨了不同的国家媒体在面对新的挑战时如何代表欧盟项目的合法性。特别是,Boukala提出了这样一个问题:在欧盟内部,经常被视为与欧洲文化、思想和传统格格不入的穆斯林,在多大程度上为培育“我们”提供了某种集结点?Boukala从欧盟国家新闻媒体的工作轨迹出发(Krzyżanowski, 2009;Triandafyllidou et al., 2009)。在这里,有一种感觉是,国内新闻媒体一直在压制或挑战对事件进行任何泛欧解读的可能性。而不是团结,一直是一种持续争论的模式。而令Boukala吃惊的是,欧盟的一贯表现是她所谓的“指责游戏”(第6页)的强烈特征,在这种游戏中,欧盟成为了各种弊病的根源。1052722 mwc0010 .1177/17506352211052722媒体,战争与冲突书评研究-文章2021
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Book review: Salomi Boukala, European Identity and the Representation of Islam in the Mainstream Press: Argumentation and Media Discourse
European Identity and the Representation of Islam in the Mainstream Press can be placed in a body of research in discourse studies that has emerged since the outset of the European integration project (Wodak and Boukala, 2015). This research studies European identity – whether it is possible, what challenges it faces and discourses of inclusion and exclusion. European Identity and the Representation of Islam in the Mainstream Press looks, in particular, at the discursive constructions of European identity during a period when there have been waves of migration into Europe, particularly of people from Muslim countries, creating newer waves of what have been characterized as popular nationalist discourses (Wodak, 2015). This body of research can be characterized as having two overlapping domains of focus. One of these is how people narrate grassroots identities through interactions (Zappettini, 2019). The other is about the role of institutions and the discourse of identity they seek to impose on people (Wodak and Fairclough, 1997). Boukala’s contribution fits into the second of these, looking at the representation of European identities as expressed in different national news outlets in Greece, France and Britain. This is clearly seen as highly relevant at present, with another important recent volume by Galpin (2017) covering similar ground. Both of these books explore how different national media represent the legitimacy of the EU project in the face of new challenges. In particular, Boukala asks to what extent the place of Muslim people within the EU, often represented as alien to European culture, ideas and traditions, has provided any kind of rallying point to foster an ‘Us’. Boukala takes up from a trajectory of work on national news media across the EU (Krzyżanowski, 2009; Triandafyllidou et al., 2009). Here, there is a sense that domestic news outlets consistently suppress or challenge the possibility of providing any kind of pan-European interpretations of events. Rather than unity, there has been a pattern of consistent contestation. And what is striking for Boukala is how consistently representations of the EU are strongly characterized by what she calls the ‘blame game’ (p. 6) where the union becomes the cause of all kinds of ills. 1052722 MWC0010.1177/17506352211052722Media, War & ConflictBook review research-article2021
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来源期刊
Media War and Conflict
Media War and Conflict COMMUNICATION-
CiteScore
3.60
自引率
15.40%
发文量
18
期刊介绍: Media, War & Conflict is a major new international, peer-reviewed journal that maps the shifting arena of war, conflict and terrorism in an intensively and extensively mediated age. It will explore cultural, political and technological transformations in media-military relations, journalistic practices, and new media, and their impact on policy, publics, and outcomes of warfare. Media, War & Conflict is the first journal to be dedicated to this field. It will publish substantial research articles, shorter pieces, book reviews, letters and commentary, and will include an images section devoted to visual aspects of war and conflict.
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