{"title":"狄更斯式的划分:大卫·科波菲尔的“我生命中的英雄”","authors":"Kathryne Ford","doi":"10.1353/dqt.2023.0002","DOIUrl":null,"url":null,"abstract":"Abstract:This article explores how Charles Dickens's failed romance with Maria Beadnell–which drove him to burn his early autobiographical attempt–haunts his fictional life-writing novel David Copperfield. Maria's rejection intensified Dickens's previous traumas of the blacking warehouse and his father's imprisonment–subsequently producing a type of Freudian split self that I term the Dickensian hero/protagonist split. David is the novel's protagonist, but Agnes is its hero/ine. These divisions underscore Dickens's overarching preoccupations with legacy, and his notoriously fraught relationship with the life-writing genre. Agnes may not be a figure modern readers can admire; however, her position as hero/ine in David Copperfield's history nonetheless illuminates Dickens's own traumas, manifested in David's insecurities about heroism and narrative legacy.","PeriodicalId":41747,"journal":{"name":"DICKENS QUARTERLY","volume":"40 1","pages":"45 - 63"},"PeriodicalIF":0.7000,"publicationDate":"2023-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Dickensian Divisions: David Copperfield's \\\"Hero[ine] of my own life\\\"\",\"authors\":\"Kathryne Ford\",\"doi\":\"10.1353/dqt.2023.0002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:This article explores how Charles Dickens's failed romance with Maria Beadnell–which drove him to burn his early autobiographical attempt–haunts his fictional life-writing novel David Copperfield. Maria's rejection intensified Dickens's previous traumas of the blacking warehouse and his father's imprisonment–subsequently producing a type of Freudian split self that I term the Dickensian hero/protagonist split. David is the novel's protagonist, but Agnes is its hero/ine. These divisions underscore Dickens's overarching preoccupations with legacy, and his notoriously fraught relationship with the life-writing genre. Agnes may not be a figure modern readers can admire; however, her position as hero/ine in David Copperfield's history nonetheless illuminates Dickens's own traumas, manifested in David's insecurities about heroism and narrative legacy.\",\"PeriodicalId\":41747,\"journal\":{\"name\":\"DICKENS QUARTERLY\",\"volume\":\"40 1\",\"pages\":\"45 - 63\"},\"PeriodicalIF\":0.7000,\"publicationDate\":\"2023-02-22\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"DICKENS QUARTERLY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/dqt.2023.0002\",\"RegionNum\":1,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"DICKENS QUARTERLY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/dqt.2023.0002","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
Dickensian Divisions: David Copperfield's "Hero[ine] of my own life"
Abstract:This article explores how Charles Dickens's failed romance with Maria Beadnell–which drove him to burn his early autobiographical attempt–haunts his fictional life-writing novel David Copperfield. Maria's rejection intensified Dickens's previous traumas of the blacking warehouse and his father's imprisonment–subsequently producing a type of Freudian split self that I term the Dickensian hero/protagonist split. David is the novel's protagonist, but Agnes is its hero/ine. These divisions underscore Dickens's overarching preoccupations with legacy, and his notoriously fraught relationship with the life-writing genre. Agnes may not be a figure modern readers can admire; however, her position as hero/ine in David Copperfield's history nonetheless illuminates Dickens's own traumas, manifested in David's insecurities about heroism and narrative legacy.