奥姆斯特德的《荆棘》中的鸟、狗和人类:一个关于中央公园的故事

IF 0.1 3区 艺术学 0 ARCHITECTURE STUDIES IN THE HISTORY OF GARDENS & DESIGNED LANDSCAPES Pub Date : 2022-01-02 DOI:10.1080/14601176.2022.2035164
E. Eigen
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引用次数: 0

摘要

摘要:本文通过发生在2020年5月25日的一件事来解决种族、物种和种类的问题,当时一名观鸟者和一名狗主人在纽约中央公园的漫步小径上相遇。观鸟人是一个同性恋黑人,他正在寻找猩红的tanager和其他鸣禽。狗的主人是一位白人妇女,她正在遛她的金色可卡犬亨利。观鸟人要求狗主人按照公园规定把她的西班牙猎犬拴上。这只狗的主人拨打了911,报告说一名“非裔美国人将她置于危险之中”。他们的相遇有一段历史。我们可疑的向导是约翰·詹姆斯·奥杜邦,他的《鸟类学传记》展示了户外生活、漫步或狩猎的令人难忘的场景,以及人类和动物如何相互捕食。但决定性的声音是弗雷德里克·劳·奥姆斯特德,他不仅设计了中央公园(与卡尔弗特·沃克斯),还为其警察部队提供了道德和伦理准则。一旦展示了所有的演员(人和动物)和背景实际上是如何“相关”的,就必须解释公园里警察的存在。
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Birds, dogs, and humankind in Olmsted’s ‘Bramble’: a story of Central Park
Abstract: This paper addresses issues of race, species, and kind through an incident that took place 25 May 2020, when a birder and a dog owner crossed path in the Ramble of New York’s Central Park. The birder, a gay Black man, was searching for scarlet tanagers and other songbirds. The dog owner, a white woman, was walking Henry, her blond cocker. The birder asked the dog owner to leash her spaniel, a bird dog, as required by park rules. The dog owner called 911, reporting that an ‘African-American man was putting her in danger’. There is a pre-history to their encounter. Our dubious guide is John James Audubon, whose Ornithological Biography presents haunting scenes of life out of doors, the ramble, or the hunt, and how humans and animals prey upon each other. But the decisive voice is that of Frederic Law Olmsted, who not only designed Central Park (with Calvert Vaux), but also provided the moral and ethical code for its police force. Once it is shown how all the actors (human and animal) and the setting are in fact ‘related,’ it is the presence of the police in the park that must be explained.
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
12
期刊介绍: Studies in the History of Gardens & Designed Landscapes addresses itself to readers with a serious interest in the subject, and is now established as the main place in which to publish scholarly work on all aspects of garden history. The journal"s main emphasis is on detailed and documentary analysis of specific sites in all parts of the world, with focus on both design and reception. The journal is also specifically interested in garden and landscape history as part of wider contexts such as social and cultural history and geography, aesthetics, technology, (most obviously horticulture), presentation and conservation.
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