电视系列及其边界

IF 0.1 4区 哲学 0 PHILOSOPHY Rivista di Estetica Pub Date : 2020-04-01 DOI:10.4000/ESTETICA.6695
I. Jovanović
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引用次数: 1

摘要

在本文中,我跟随Ted Nannicelli在电视作品边界的建立项目。我专注于与特定类型有关的系列化电视作品,并着手提供它们的身份说明。我的观点是,这些作品的外部身份是由它们特定的体裁归属决定的,就像一般规范决定系列内容的方式一样,即它的特色故事情节和常规角色。从内部的角度来看,一个系列的身份是由它实现抽象一般规范的特定方式决定的。我将这种实现的过程描述为创建特定于系列的公式化模式,并分析了这些模式明显存在的作品的不同层次。我的中心观点是,特定于系列的公式化模式创造了一套连贯的规范,通过在系列剧集中的重复实例化,这些规范与特定的系列相关联。该集合的作用是建立系列的边界,并在对图案进行不同修改时保持其同一性。
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Tv series and their boundaries
In this paper I follow Ted Nannicelli in the project of establishing boundaries of television works. I focus on serialized television works pertaining to a particular genre and I set out to provide an account of their identity. My claim is that external identity of such works is determined by their specific genre-affiliation, given the way in which generic norms determine the content of the series, namely, its characteristic storylines and regular set of characters. From the internal perspective, a series’ identity is determined by the particular way in which it implements abstract generic norms. I describe the process of such implementation as creation of series-specific formulaic patterns, and I analyze different layers of works where such patterns are evident. My central claim is that series-specific formulaic patterns create a coherent set of norms which, through repeated instantiation in the series’ episodes, become associated with that particular series. The function of this set is to establish the series’ boundaries, and to maintain its identity when different modifications to the patterns are made.
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来源期刊
Rivista di Estetica
Rivista di Estetica PHILOSOPHY-
CiteScore
0.50
自引率
0.00%
发文量
0
审稿时长
30 weeks
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