安帕罗·达维拉在当代墨西哥叙述者中的遗产

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Brumal-Research Journal on the Fantastic Pub Date : 2021-06-10 DOI:10.5565/REV/BRUMAL.763
C. Alemany
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引用次数: 0

摘要

在接下来的几页中,我们将尝试在三位墨西哥作家的作品中追踪安帕罗·达维拉的故事(1928-2020)中的一些特征:克里斯蒂娜·里维拉·加尔萨(1964),塞西莉亚·尤达夫(1968)和瓜达卢佩·内特尔(1973)。首先,我们将考虑一些当代墨西哥作家对萨卡特作家的不同看法,以及她的作品中特别值得注意的地方。然后我们将探讨安帕罗·达维拉对奇幻流派的特殊运用以及它不同的主题,以及这对我们在这篇文章中要讨论的作品是如何产生重要影响的。Davilian遗产表达在许多不同的方式,为我们分析,在洛杉矶cresta de伊利昂(2002),里维拉加尔萨Eudave的短篇小说,也在她的中篇小说Bestiaria维达(2008)和El huesped“奈特尔”(2006)在所有三个试图抓住Davila使用模棱两可,她独特的大气,hibridity的话语,在幻想和一些反复出现的问题,如幽灵和多样性的想法就是要解决身份。
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El legado de Amparo Dávila en narradoras mexicanas actuales
In the following pages, we will try to track the presence of some features found in Amparo Davila´s stories (1928-2020) in the works of three Mexican writers: Cristina Rivera Garza (1964), Cecilia Eudave (1968) and Guadalupe Nettel (1973). First, we will consider the different opinions that some contemporary Mexican writers have about the Zacatean author and what is especially remarkable about her writing. Then we will explore the peculiar use that Amparo Davila made of the fantastic genre and its different themes and how that was a crucial influence on the works that we are to deal with in this essay.  The Davilian legacy is expressed in many different ways, as we are to analyse, in La cresta de Ilion (2002) by Rivera Garza, in Eudave's short stories and also in her novella Bestiaria vida (2008) and El huesped by Nettel (2006) All three of them try to grasp Davila's use of ambiguity, her unique atmospheres, the hibridity of her discourse, and some recurring issues in Fantasy, such as the doppelganger and the idea of diversity whe it comes to tackle identity.
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来源期刊
Brumal-Research Journal on the Fantastic
Brumal-Research Journal on the Fantastic HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
自引率
0.00%
发文量
24
审稿时长
12 weeks
期刊介绍: Brumal. Research Journal on the Fantastic is presented as an interdisciplinary and multilingual publication aimed at researchers and specialists. The fantastic is understood here as an always problematic confrontation between the real and the impossible in a textual world imitating ours. Therefore, other non-mimetic genres like science fiction or fantasy, which do not adhere to this definition, are excluded in Brumal. Linked to the Grupo de Estudios sobre lo Fantástico (GEF, Research Group on the Fantastic) from the Universidad Autónoma de Barcelona (www.lofantastico.com), Brumal welcomes works on the fantastic dealing with its different artistic manifestations (narrative, theatre, cinema, comic, painting, photography and video-games), in any language and from any country during the 19th, 20th and 21st centuries. Texts can be sent in Spanish, Catalan, Galician, English, French, Portuguese or Italian. Brumal is structured in three differentiated sections (Monograph, Miscellaneous and Reviews) and will be published every six months (december and june).
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