多塞特基督监狱中的石壁作品:15世纪20年代初的弗朗西斯·弗莱米什美术作品

IF 0.2 4区 社会学 0 HUMANITIES, MULTIDISCIPLINARY Antiquaries Journal Pub Date : 2022-03-18 DOI:10.1017/S0003581521000391
Nicholas Riall
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引用次数: 0

摘要

对克赖斯特彻奇奥古斯丁修道院的quire摊位的批判性分析表明,它们是一组重要的早期全安风格摊位,由“外来”工匠创造,不早于1520年。许多当时未在英国使用的大陆细木工技术的痕迹,特别是层压的使用,支持了这一观点。长期以来,人们一直认为它们是由各种日期的摊位拼凑而成的,但它们都是一个时期的。损失惨重,许多零件被更换,尤其是在档案中。许多吝啬鬼都不见了,因为摊位的设计证明了这一点。这套重要的quire摊位代表了宗教改革前最后制作的摊位之一,但它们被误解了。
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STALLWORK IN CHRISTCHURCH PRIORY, DORSET: A FRANCO-FLEMISH ALL’ANTICA WORK OF THE EARLY 1520s
Critical analysis of the quire stalls in the Augustinian priory in Christchurch has revealed that they are an important set of early all’antica styled stalls that were created by ‘alien’ craftsmen, no earlier than c 1520. Many traces of Continental joinery techniques, not then used in England, particularly the use of lamination, support this view. It has long been thought that they were cobbled together from sets of stalls of various dates, but they are all of one period. Much has been lost and many of the parts have been replaced, especially so among the dossiers. The idea that many of the misericords are missing can be discounted because the design of the stalls disproves this. This important set of quire stalls represents one of the last made prior to the Reformation – but they are much misunderstood.
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来源期刊
Antiquaries Journal
Antiquaries Journal HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.60
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发文量
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