“哦,不真实的人”在牛津大学的作用,牛津大学图书馆,MS Laud Misc. 330,剑桥大学三一学院,MS .2.53

IF 0.2 0 MEDIEVAL & RENAISSANCE STUDIES Journal of Medieval Religious Cultures Pub Date : 2020-08-04 DOI:10.5325/jmedirelicult.46.2.0162
Louise Campion
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引用次数: 0

摘要

本文考察了15世纪中古英语悔罪抒情诗《哦,我的Unkynde》在两份手稿中的作用。这首歌词出现在五份手稿中,要求读者“看到”基督的伤口。在三种情况下,该指令通过伴随图像的存在来实现。在我所关注的两份手稿中,歌词没有任何补充说明。它讨论了视觉参照物的缺失可能会改变这两个抄本的读者阅读歌词的方式。在这两种情况下,它认为歌词和手稿中其他文本之间的相互作用表明,它被视为一种工具,可以用于为读者准备忏悔的圣礼,而内在的可视化是在这些上下文中使用歌词的关键。
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The Function of "O Man Unkynde" in Oxford, Bodleian Library, MS Laud Misc. 330, and Trinity College Cambridge, MS O.2.53
abstract:This article examines the function of the fifteenth-century Middle English penitential lyric "O Man Unkynde" in two manuscripts. This lyric, which appears in five manuscripts, asks readers to "see" Christ's wounds. In three cases, this instruction is fulfilled by the presence of an accompanying image. In the two manuscripts with which I am concerned, the lyric appears without any complementary illustration. It discusses the way in which this absence of a visual referent might have altered the way in which the lyric was read by the readers of these two codices. In both instances, it argues that the interaction between the lyric and the other texts in the manuscripts suggests that it was regarded as a tool that might be used in the preparation of the reader for the sacrament of confession, and that inward visualization was key to the use of the lyric in these contexts.
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来源期刊
Journal of Medieval Religious Cultures
Journal of Medieval Religious Cultures MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.30
自引率
0.00%
发文量
26
期刊最新文献
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