介绍

Hélène Lecossois, Fabrice Mourlon
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引用次数: 0

摘要

发展传统音乐的无形方面,通过研究在音乐家的表演,特别是在数字和后数字录音声学噪音的使用。他证明了类似的噪音,比如现场演出中玻璃的咔嚓声,或者安静声,对音乐家和听众来说都是爱尔兰传统音乐体验的显著特征,应该被视为“爱尔兰文化遗产的无形象征”。
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Introduction
develops the intangible aspect of traditional music by studying the use of acoustic noises during the performance of the musicians especially in digital and post-digital recordings. He demonstrates that parallel noises, such as the click of a glass during a live session, or hushes, for example, are distinctive features of the experience of Irish traditional music both for the musician and for the listener and should be considered as an “intangible signifier of Irish cultural heritage”.
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Nathalie Sebbane, Memorialising the Magdalene Laundries: From Story to History Eoin MacNeill: The Pen and the Sword, Conor Mulvagh, Emer Purcell (eds.) Irish Music or Pure Laine? The (Un)Quiet Revolution of Ti-Jean Carignan Terrains de jeux Irlande du Nord 2022 : analyse d’une crise systémique en hommage à Maurice Goldring
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