作为音乐厅的法院:美国最高法院的音乐

IF 0.2 1区 艺术学 N/A MUSIC Journal of the Society for American Music Pub Date : 2023-03-23 DOI:10.1017/S175219632300010X
James M. Doering, Lauren C. Bell
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引用次数: 0

摘要

摘要几十年来,美国最高法院一直是一个不太可能的音乐表演场所。1988年至2020年间,超过125名音乐家,包括该国一些最著名的表演者,出现在最高法院东会议室,与亲密观众见面。音乐会是官方“非公开的”,但美国最高法院保存的记录、参与节目制作的前大法官和法院朋友的文件,以及对支持和参与活动的个人的采访中都有详细信息。本文重构了这一长期但鲜为人知的音乐系列的历史,并将其置于宫廷文化和更广泛的访问和权力主题中。
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The Court as Concert Hall: Music at the U.S. Supreme Court
Abstract The U.S. Supreme Court has for decades served as an unlikely venue for the performance of music. Between 1988 and 2020, more than 125 musicians, including some of the country's most prominent performers, appeared for intimate audiences in the Supreme Court's East Conference Room. The concerts were officially “off the record,” but details survive in records kept by the U.S. Supreme Court, papers of former justices and friends of the court involved in the creation of the programs, and in interviews with individuals who supported and participated in the events. This article reconstructs the history of this long running but little-known music series and contextualizes it within the court's culture and broader themes of access and power.
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