记录消失:作为流动手段的自我伪造和伪装

IF 0.7 Q3 ETHNIC STUDIES Social Identities Pub Date : 2022-09-03 DOI:10.1080/13504630.2022.2118701
C. Campanioni
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引用次数: 0

摘要

摘要:移民和其他流离失所者以及国内被排斥者是如何利用伪装和自我伪造来为流动服务的?我们如何将消失美学解读为不仅仅是一种美学选择,而是行动主义的源泉?继Jacques Rancière[《美学的政治》(G.Rockhill.Trans.).Continum(2000年出版的原作)]之后,我明白这种美学行为能够创造“新的感知模式”,并在这样做的过程中产生政治主体性的替代形式。在这篇文章中,我将移民的自我表征和伪装、模仿和掩饰的创造性策略与公共实践进行了比较,同时将临时营地的域外空间视为一种保持隐蔽性和匿名性的范式。然而,正如Rancière所理解的那样,审美行为不仅有可能产生新形式的政治主体性,而且为了使后者成为现实,需要颠倒这个等式:政治主体必须首先被承认为审美主体。当我将冷战时期东德艺术家科妮莉亚·施莱梅的多媒体作品与Kon Trubkovich的当代故障艺术——绘画、视频——对话时,我认为,为了重新调整可见性的术语,对于主题制作者来说,有必要表现出原本会将他们物化的凝视。
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Documenting disappearance: self-forgery and dissimulation as a means of mobility
ABSTRACT How have migrants and other displaced and internally excluded persons used dissimulation and self-forgery in service of mobility? How can we read an aesthetics of disappearance as more than just an aesthetical choice but as a source of activism? Following Jacques Rancière [The politics of aesthetics (G. Rockhill. Trans.). Continuum. (Original Work Published in, 2000)], I understand that such aesthetic acts are capable of creating ‘new modes of sense perception’ and, in doing so, produce alternative forms of political subjectivity. In this essay, I compare migrant self-representations and creative tactics of camouflage, mimicry, and dissembling with public practices, while looking at the extraterritorial space of the makeshift camp as a paradigm for preserving invisibility and anonymity. And yet, it is not just that aesthetic acts have the potential to produce novel forms of political subjectivity, as Rancière understood, but that, in order for the latter to be true, the equation needs to be reversed: political subjects must first be recognized as aesthetic subjects. As I place the multimedia work of Cold War East German artist Cornelia Schleime in conversation with the contemporary glitch art – drawings, paintings, video – of Kon Trubkovich, who was born in Moscow and left, at age eleven, following the Chernobyl disaster, I argue that to reorient the terms of visibility, it becomes necessary for subject-producers to stage the gaze that would otherwise objectify them.
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来源期刊
Social Identities
Social Identities ETHNIC STUDIES-
CiteScore
2.00
自引率
0.00%
发文量
22
期刊介绍: Recent years have witnessed considerable worldwide changes concerning social identities such as race, nation and ethnicity, as well as the emergence of new forms of racism and nationalism as discriminatory exclusions. Social Identities aims to furnish an interdisciplinary and international focal point for theorizing issues at the interface of social identities. The journal is especially concerned to address these issues in the context of the transforming political economies and cultures of postmodern and postcolonial conditions. Social Identities is intended as a forum for contesting ideas and debates concerning the formations of, and transformations in, socially significant identities, their attendant forms of material exclusion and power.
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