文化记忆的痕迹:在21世纪重新发现夏洛克作为父亲的形象

Elena Ancuța Ștefan
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引用次数: 0

摘要

在过去的几十年里,适应理论取得了巨大的进步,像琳达·哈钦这样的名字为这些观点奠定了理论前提,有必要看看经典文本中的某些方面是如何被翻译成现代文学的。本文探讨了莎士比亚《威尼斯商人》中的父女关系是如何通过霍华德·雅各布森的小说《夏洛克是我的名字》中相似的人物和情境被(或重新)诠释的。小说不仅是一种将旧思想转化为新思想的手段,而且还为夏洛克等著名人物提供了解决问题的舞台。为了对(重新)解读的父女关系有一个更广泛的理解,本章将考虑当代文本的社会学象征主义,以埃里克·埃里克森对青春期的描述为前景。
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Trails of Cultural Memory: Rediscovering Shylock as a Father Figure in the 21st Century
Given that in the last few decades theories of adaptation have advanced enormously, with such names as Linda Hutcheon setting the theoretical premise of these ideas, it is essential to see how certain aspects present in canonical texts have been translated into present-day literature. In this paper, I discuss how the father-daughter relationship in The Merchant of Venice by William Shakespeare, has been (re)interpreted through the carrying of similar characters and situations in the novel Shylock Is My Name by Howard Jacobson. The novel does not only serve as a means of projecting old ideas as new, but it also provides the stage of resolution for such prominent characters as Shylock. In order to have a broader understanding of the (re)interpreted father-daughter relationship, this chapter will take into account the sociological symbolism of the contemporary text, with Erik Erikson’s descriptions of adolescence in the foreground.
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来源期刊
Metacritic Journal for Comparative Studies and Theory
Metacritic Journal for Comparative Studies and Theory Arts and Humanities-Arts and Humanities (all)
CiteScore
0.90
自引率
0.00%
发文量
15
审稿时长
7 weeks
期刊最新文献
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