1859型葡萄牙军服背包。历史笔记、保护和修复处理

IF 0.4 N/A HUMANITIES, MULTIDISCIPLINARY Conservar Patrimonio Pub Date : 2020-07-31 DOI:10.14568/cp2018069
André Filipe Nunes Fernandes
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引用次数: 1

摘要

1859型号的背包是用来装士兵的备用衣物和必需品的。它严格按照图案制作,由皮革和帆布制成盒子形状,外表涂成黑色。该模型的一个例子属于里斯本军事博物馆收藏(MML02048),于2016年从仓库中取出,以便进行盘点。随后,它被修复在保护与修复学士的课程单元“保护与修复项目”中,因此可以永久展出。1894-95年,军号手安东尼奥·莫拉(Antonio Moura)可能在莫桑比克的战役中使用了这个物体,当时他参加了Marracuene战役。变质区域,如油漆和帆布的损失,主要是由一个多世纪以来的储存条件和不当护理造成的。这种治疗被引导到其理想状态,主要增强了通过调查获得的历史和美学价值。接收时间:2018-12-9修订时间:2019-9-6接受时间:2020-5-28在线时间:2020-7-31发布时间:2020-7-31
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Model 1859 Portuguese army clothes backpack. Historical note, conservation and restoration treatment
The model 1859 clothes backpack was used to carry soldier's spare clothing and necessaries. It was strictly made according to a pattern and was constructed in a box shape from leather and canvas, painted black on the exterior. An example of this model, which belongs to the Lisbon Military Museum collection (MML02048), was removed from the storage in 2016 in order to be inventoried. It was subsequently restored within the curricular unit “conservation and restoration project” of the Conservation and Restoration Bachelor so it could be placed on permanent exhibition. This object was likely used in campaign in Mozambique in 1894-95 by the bugler Antonio Moura, taking part on the combat of Marracuene. Areas of deterioration, such as f laking paint and canvas losses, were caused mainly by storage conditions and improper care over the course of more than a century. The treatment was guided towards its ideal state, enhancing mostly historical and aesthetical values which were obtained through investigation.    Received: 2018-12-9Revised: 2019-9-6Accepted: 2020-5-28Online: 2020-7-31Publication: 2020-7-31
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来源期刊
Conservar Patrimonio
Conservar Patrimonio HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.80
自引率
0.00%
发文量
5
审稿时长
12 weeks
期刊介绍: Conservar Património is a journal, published three times a year, that intends to create a space for the diffusion of conservator-restorers’ studies and activities. However, at a time when Conservation-Restoration pretends to develop further through collaboration with other areas of knowledge, such as History of Art, Archaeology, Museum Studies, Chemistry, Physics, Biology and other related disciplines from the fields of the natural and social sciences, the journal also receives contributions from any other provenance as long as directed towards the multiple dimensions of the works that integrate our Cultural Heritage. Theoretical issues on the conservation activity may also be submitted.
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