权力的底层(阿尔及尔):关于W/Hole人、失踪的群众和大众电影中的政治倾向

IF 0.2 0 FILM, RADIO, TELEVISION Journal of African Cinemas Pub Date : 2019-10-01 DOI:10.1386/jac_00013_1
Drehli Robnik
{"title":"权力的底层(阿尔及尔):关于W/Hole人、失踪的群众和大众电影中的政治倾向","authors":"Drehli Robnik","doi":"10.1386/jac_00013_1","DOIUrl":null,"url":null,"abstract":"Abstract This article explores the relationships between popular film and politics of popular empowerment, especially in anti-colonial and anti-racist contexts. I am placing concepts from political theories in dialogic relationships with scenes from films. A basic tenet of\n this approach is that there is insight into movies, especially where orthodox scientific/philosophical discourses would not expect it (in genre cinemas, action film, horror movies, etc). So, my arguments are not made about films, but at their respective sites of insights. Conceptually, I take\n off first from the W/Hole of the people the popular as a totality necessarily haunted by incompleteness that figures in social struggles and dissensual film images; second, from the missing of masses as the people in an improper amount, a basic mistake in the counting of the social; and third,\n from dis-positions regarding power relations, also positionings on ‘sides’ (e.g., ‘undersides of power’) and on sites in social space, and dis-positioning in time, a.k.a. history.","PeriodicalId":41188,"journal":{"name":"Journal of African Cinemas","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2019-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Underside of Power (Algiers): On W/Hole people, missing masses and dispositions of politics in popular cinema\",\"authors\":\"Drehli Robnik\",\"doi\":\"10.1386/jac_00013_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This article explores the relationships between popular film and politics of popular empowerment, especially in anti-colonial and anti-racist contexts. I am placing concepts from political theories in dialogic relationships with scenes from films. A basic tenet of\\n this approach is that there is insight into movies, especially where orthodox scientific/philosophical discourses would not expect it (in genre cinemas, action film, horror movies, etc). So, my arguments are not made about films, but at their respective sites of insights. Conceptually, I take\\n off first from the W/Hole of the people the popular as a totality necessarily haunted by incompleteness that figures in social struggles and dissensual film images; second, from the missing of masses as the people in an improper amount, a basic mistake in the counting of the social; and third,\\n from dis-positions regarding power relations, also positionings on ‘sides’ (e.g., ‘undersides of power’) and on sites in social space, and dis-positioning in time, a.k.a. history.\",\"PeriodicalId\":41188,\"journal\":{\"name\":\"Journal of African Cinemas\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2019-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of African Cinemas\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/jac_00013_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"FILM, RADIO, TELEVISION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of African Cinemas","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/jac_00013_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
引用次数: 0

摘要

摘要本文探讨了大众电影与大众赋权政治之间的关系,特别是在反殖民和反种族主义背景下。我将政治理论中的概念与电影中的场景置于对话关系中。这种方法的一个基本原则是对电影的洞察,特别是在正统的科学/哲学话语中(类型电影,动作电影,恐怖电影等)。所以,我的论点不是关于电影的,而是关于它们各自的见解。从概念上讲,我首先从大众的角度出发,大众作为一个整体,必然被社会斗争和不感性的电影图像中的不完整性所困扰;第二,从群众的缺失作为人民群众在数量上的不当,是社会计数的基本错误;第三,从关于权力关系的定位来看,也包括在“侧面”的定位(例如,“权力的底面”)和在社会空间中的位置,以及在时间上的错位,也就是历史。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
The Underside of Power (Algiers): On W/Hole people, missing masses and dispositions of politics in popular cinema
Abstract This article explores the relationships between popular film and politics of popular empowerment, especially in anti-colonial and anti-racist contexts. I am placing concepts from political theories in dialogic relationships with scenes from films. A basic tenet of this approach is that there is insight into movies, especially where orthodox scientific/philosophical discourses would not expect it (in genre cinemas, action film, horror movies, etc). So, my arguments are not made about films, but at their respective sites of insights. Conceptually, I take off first from the W/Hole of the people the popular as a totality necessarily haunted by incompleteness that figures in social struggles and dissensual film images; second, from the missing of masses as the people in an improper amount, a basic mistake in the counting of the social; and third, from dis-positions regarding power relations, also positionings on ‘sides’ (e.g., ‘undersides of power’) and on sites in social space, and dis-positioning in time, a.k.a. history.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
Journal of African Cinemas
Journal of African Cinemas FILM, RADIO, TELEVISION-
CiteScore
0.40
自引率
0.00%
发文量
0
期刊介绍: The Journal of African Cinemas will explore the interactions of visual and verbal narratives in African film. It recognizes the shifting paradigms that have defined and continue to define African cinemas. Identity and perception are interrogated in relation to their positions within diverse African film languages. The editors are seeking papers that expound on the identity or identities of Africa and its peoples represented in film. The aim is to create a forum for debate that will promote inter-disciplinarity between cinema and other visual and rhetorical forms of representation.
期刊最新文献
There’s more Spain beyond the sea? Contemporary documentaries on Equatorial Guinea Africa’s Lost Classics: New Histories of African Cinema, Lizelle Bisschoff and David Murphy (eds) (2014) The Battle of Algiers, Alan O’Leary (2019) Space and Time in African Cinema and Cine-scapes, Kenneth W. Harrow (2022) The 21st Century Film, TV & Media School: Challenges, Clashes, Changes, Maria Dora Mourão, Stanislav Semerdjiev, Cecília Mello and Alan Taylor (eds) (2016)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1