我喜欢它的优雅:将个性融入产品形状

IF 1.2 Q4 ENGINEERING, MANUFACTURING International Journal of Design Creativity and Innovation Pub Date : 2020-01-02 DOI:10.1080/21650349.2019.1673825
Pablo Prieto, J. Briede, A. Beghelli, E. Canessa, C. Barra
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引用次数: 1

摘要

摘要设计个性化产品的能力是其在市场上成功推出的关键,因为客户更喜欢与自己个性相似的产品。然而,设计师用来将特定个性印在产品中的创造性过程仍然是一个“黑匣子”和漫长的过程,需要专业知识和连续的客户验证。这里的研究挑战是如何将定义具有预期个性的产品的新几何形状的创造性过程系统化。由于这一挑战的复杂性,本文的重点仅在于定义具有特定个性的产品形状的过程。定义了一种五步系统方法来提取和定义特定个性的关键形式方面。该方法的使用以开发一种代表优雅个性的形状为例,并通过设计和非设计培训人员回答的问卷来测试其适用性。结果表明,当完全符合所提出的方法的步骤时,客户可以更好地识别印在物体上的个性。这项工作将帮助设计师进行产品形式定义的创造性过程。
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I like it elegant: imprinting personalities into product shapes
ABSTRACT The ability of designing personality-based products is key for their successful launch in the market, since customers prefer products that have a similar personality to their own. However, the creative process designers use to imprint a given personality into a product is still a ‘black-box’ and lengthy process that requires expertise and successive customer validation. The research challenge here is how to systematize the creative process of defining new geometries of a product with an intended personality. Due to the complexity of this challenge, the focus of this paper is solely about the process of defining the shape of a product with a given personality. A 5-step systematic method to extract and define the key form aspects of a specific personality is defined to do this. The use of the method is exemplified by developing a shape which is representative of an elegant personality and its suitability is tested using questionnaires answered by both design and non-design trained people. Results show that customers better recognize the personality imprinted on the object when the steps of the proposed method are fully complied with. This work will assist designers with the creative process of product form definition.
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来源期刊
CiteScore
3.80
自引率
27.80%
发文量
15
期刊介绍: The International Journal of Design Creativity and Innovation is an international publication that provides a forum for discussing the nature and potential of creativity and innovation in design from both theoretical and practical perspectives. Design creativity and innovation is truly an interdisciplinary academic research field that will interest and stimulate researchers of engineering design, industrial design, architecture, art, and similar areas. The journal aims to not only promote existing research disciplines but also pioneer a new one that lies in the intermediate area between the domains of systems engineering, information technology, computer science, social science, artificial intelligence, cognitive science, psychology, philosophy, linguistics, and related fields. The journal covers, but is not restricted to, the following topics: ·Theories on Design Creativity and Innovation ·Cognition of Design Creativity ·Innovative Process ·Inventive Process ·Analogical Reasoning for Design Creativity and Innovation ·Design Synthesis ·Method and Tools for Design Creativity and Innovation ·Representation of Design Creativity and Innovation ·Education for Design Creativity and Innovation ·Concept Generation and Inspiration.
期刊最新文献
Design thinking mindset: a user-centred approach toward innovation in the Welsh creative industries The influence of industrial designers and developmental technologists on design-driven innovation and related mechanisms The rise of design in higher education and non-design students’ experiences of learning through design Managing design innovation challenges in a digital environment Diagnosing the socio-technical refrigeration system with Radical Innovation Design methodology to target innovations
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