Michel Seress’ Integumentum, or Why Ecology Lies (Also) Beyond Arguments

During the Middle Ages, integumentum was a term widely used by “intellectuals” (Le Goff) in order to unfold the function of allegory: there is no story whose signification does not echo the sacred texts, and every sacred truth needs a story to bring it to life. Integumentum was a way to make this echo explicit: a sort of “poetical coat hiding a moral or philosophical truth” (John of Garland). We want to suggest that, while no one uses integumentum anymore in order to designate the rhetoric of modern and contemporary theoretical discourse, it is in ecological theory that we may rediscover its afterlives. Hence, integumentum is not only a form of telling truths, but a form of memory, as well. In this respect, Michel Serres may be considered the first “ecological” thinker, as he avoids abstract metalanguages as much as possible, relying instead on fictions and characters in his attempt to describe the world afresh. If integumentum resurfaces as the proper way of “ecologizing,” instead of modernizing (Latour), we would like to uncover, in Michel Serres’ works, the dialectic of subjects and objects.