“在他的眼皮底下,他就是个家伙。”

Q3 Arts and Humanities Nederlandse Letterkunde Pub Date : 2019-09-30 DOI:10.5117/nedlet2019.2.002.piet
S. Pieterse
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引用次数: 0

摘要

“在他眼里,他是个男子汉。Menno Ter Braak是荷兰高级现代主义最杰出的作家之一。在他的两部小说《汉普顿宫》和《杜梅医生》中,同性社会欲望的双重束缚充分发挥了作用。以Eve Kosofsky Sedgwick的批判性作品为基础,本文质疑了“壁橱的认识论”在Ter Braaks文学作品中的作用,这是一个充满了同性恋欲望的场景。此外,除了塞奇威克之外,我还特别关注特·布拉克小说中对解放妇女的表现。正如我想要展示的那样,男性角色似乎已经接受(甚至内化)了女权主义观念。然而,与解放妇女的相对亲近,有时甚至与解放妇女的认同,加强了男性同性社会关系中建立的保守反射。因此,最终,保守的恐惧——同性恋社会纽带的滋养——压倒了对改变和放松情色光谱的渴望。
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‘Hij zou onder diens ogen een vent zijn’
‘He would be a man in his eyes. ’ Male homosocial desire in novels by Menno Ter Braak Menno ter Braak is one of the most prominent writers of Dutch high ­modernism. In his two novels, Hampton Court and Dr. Dumay verliest…, the double bind of homosocial desire is fully operative. Building on the critical work of Eve Kosofsky Sedgwick, this paper questions the role of the  ‘­epistemology of the closet’ in Ter Braaks literary oeuvre, which is pepper­ed with scenes of closeted homosexual desire. Moreover, and in addition to Sedgwick, I pay special attention to the representation of emancipated women in Ter Braaks novels. As I aim to show, the male characters seem to have accepted (or even internalised) feminist notions. Yet, the relative closeness to, and sometimes even identification with, emancipated women, reinforces the conservative reflexes build within male homosocial bonds. So in the end, the conservative fear on which the homosocial bond feeds, trumps the desire for change and a loosening up of the erotic spectrum.
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来源期刊
Nederlandse Letterkunde
Nederlandse Letterkunde Arts and Humanities-Literature and Literary Theory
CiteScore
0.20
自引率
0.00%
发文量
16
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