“这是我的空间/我不动”

IF 0.1 0 LITERATURE, AMERICAN Langston Hughes Review Pub Date : 2022-03-01 DOI:10.5325/langhughrevi.28.1.0049
C. A. Varlack
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引用次数: 0

摘要

兰斯顿·休斯(Langston Hughes)和恩托扎克·尚格(Ntozake Shange。特别是,他们担心吉姆·克劳社会中白人领导人对黑人空间(思想、身体和/或物质领土)的重新殖民威胁。追溯他们的诗歌不仅记录了吉姆·克劳时代的压迫,而且抵制压迫的方式,使我们能够理解休斯和尚格对改变美国黑人在美国文化想象中的形象所产生的巨大影响,即使在今天也是如此。因此,本文探讨了这两位文学作家的主要作品,以追溯他们作品中进步激进主义的脉络,他们对重新殖民威胁的回应,以及他们将黑人之美作为一种社会和政治行为的表现。
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“this is my space / I am not movin”
Throughout their literary careers, Langston Hughes and Ntozake Shange used poetry as a vehicle to address the prevalent social ills that affected the African American community during their time. In particular, they were concerned with the threat of the recolonization of Black spaces (minds, bodies, and/or physical territories) by white leaders in Jim Crow society. Tracing the ways in which their poetry not only archives the oppression of the Jim Crow era but resists it enables us to understand the resounding impact that Hughes and Shange alike have had on transforming the image of Black Americans in the US cultural imagination even today. This article therefore probes key works by these two literary lights in order to trace the thread of progressive activism in their works, their response to the threat of recolonization, and their representation of the beauty of Blackness as both a social and political act.
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Langston Hughes Review
Langston Hughes Review LITERATURE, AMERICAN-
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