{"title":"以色列的欧洲愿景:作为媒体事件的犹太国家","authors":"Daniel Mahla","doi":"10.1080/14725886.2022.2112918","DOIUrl":null,"url":null,"abstract":"ABSTRACT Israel has participated in the Eurovision, the largest European music festival, since 1973. The Jewish state regularly invests substantial resources in the contest and goes to great lengths to shine; with four victories, as well as two second places, it has been highly successful. Given its symbolic significance, as well as its actual impact on Israeli cultural diplomacy and nation-branding efforts, the annual media event and the process of selecting an artistic representative frequently elicit values-laden debates. Against this backdrop, the article investigates the evolution of the ways in which Israelis have presented themselves on the Eurovision stage, as well as the country’s internal discourse surrounding this annual cultural ritual. Israel’s participation in the yearly spectacle, I argue, has become an important element of ongoing Zionist-Israeli nation-building.","PeriodicalId":52069,"journal":{"name":"Journal of Modern Jewish Studies","volume":"22 1","pages":"482 - 502"},"PeriodicalIF":0.4000,"publicationDate":"2022-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Israeli euro-visions: the Jewish state as media event\",\"authors\":\"Daniel Mahla\",\"doi\":\"10.1080/14725886.2022.2112918\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Israel has participated in the Eurovision, the largest European music festival, since 1973. The Jewish state regularly invests substantial resources in the contest and goes to great lengths to shine; with four victories, as well as two second places, it has been highly successful. Given its symbolic significance, as well as its actual impact on Israeli cultural diplomacy and nation-branding efforts, the annual media event and the process of selecting an artistic representative frequently elicit values-laden debates. Against this backdrop, the article investigates the evolution of the ways in which Israelis have presented themselves on the Eurovision stage, as well as the country’s internal discourse surrounding this annual cultural ritual. Israel’s participation in the yearly spectacle, I argue, has become an important element of ongoing Zionist-Israeli nation-building.\",\"PeriodicalId\":52069,\"journal\":{\"name\":\"Journal of Modern Jewish Studies\",\"volume\":\"22 1\",\"pages\":\"482 - 502\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-10-17\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Modern Jewish Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14725886.2022.2112918\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Modern Jewish Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14725886.2022.2112918","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
Israeli euro-visions: the Jewish state as media event
ABSTRACT Israel has participated in the Eurovision, the largest European music festival, since 1973. The Jewish state regularly invests substantial resources in the contest and goes to great lengths to shine; with four victories, as well as two second places, it has been highly successful. Given its symbolic significance, as well as its actual impact on Israeli cultural diplomacy and nation-branding efforts, the annual media event and the process of selecting an artistic representative frequently elicit values-laden debates. Against this backdrop, the article investigates the evolution of the ways in which Israelis have presented themselves on the Eurovision stage, as well as the country’s internal discourse surrounding this annual cultural ritual. Israel’s participation in the yearly spectacle, I argue, has become an important element of ongoing Zionist-Israeli nation-building.