以色列的欧洲愿景:作为媒体事件的犹太国家

IF 0.4 0 HUMANITIES, MULTIDISCIPLINARY Journal of Modern Jewish Studies Pub Date : 2022-10-17 DOI:10.1080/14725886.2022.2112918
Daniel Mahla
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引用次数: 0

摘要

自1973年以来,以色列一直参加欧洲最大的音乐节——欧洲歌唱大赛。这个犹太国家经常在竞选中投入大量资源,不遗余力地表现自己;四场胜利,以及两次第二名,这是非常成功的。鉴于它的象征意义,以及它对以色列文化外交和国家品牌努力的实际影响,一年一度的媒体活动和选择艺术代表的过程经常引发充满价值观的辩论。在此背景下,本文将探讨以色列人在欧洲歌唱大赛舞台上展现自己的方式演变,以及围绕这一年度文化仪式的国内讨论。我认为,以色列参加一年一度的盛会,已经成为犹太复国主义者-以色列正在进行的国家建设的一个重要因素。
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Israeli euro-visions: the Jewish state as media event
ABSTRACT Israel has participated in the Eurovision, the largest European music festival, since 1973. The Jewish state regularly invests substantial resources in the contest and goes to great lengths to shine; with four victories, as well as two second places, it has been highly successful. Given its symbolic significance, as well as its actual impact on Israeli cultural diplomacy and nation-branding efforts, the annual media event and the process of selecting an artistic representative frequently elicit values-laden debates. Against this backdrop, the article investigates the evolution of the ways in which Israelis have presented themselves on the Eurovision stage, as well as the country’s internal discourse surrounding this annual cultural ritual. Israel’s participation in the yearly spectacle, I argue, has become an important element of ongoing Zionist-Israeli nation-building.
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来源期刊
Journal of Modern Jewish Studies
Journal of Modern Jewish Studies HUMANITIES, MULTIDISCIPLINARY-
CiteScore
0.70
自引率
0.00%
发文量
75
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