死亡与文学:不同的方法,从简单到晦涩

IF 0.4 Q3 HISTORY & PHILOSOPHY OF SCIENCE Metode Science Studies Journal Pub Date : 2018-03-12 DOI:10.7203/METODE.8.10567
J. Skelton
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引用次数: 0

摘要

这项研究简要地考察了作家处理死亡概念的一系列方式,从个人悲伤的表达,到文化中所代表的对死亡的态度也被相关文化的作家所接受和使用。被考虑的作家大多(但不是全部)来自英语和西班牙语传统,尤其是谢默斯·希尼、托马斯·哈迪、米格尔·德·塞万提斯和费德里科·加西亚·洛尔卡。有人指出,并非所有关于死亡的写作都以死亡为中心,将其作为个人悲伤的来源,尽管有很多都是这样。此外,还考虑到一些关于死亡的文章是透明的,在某种意义上是明显简单的,而另一些文章则不那么透明,甚至可能看起来晦涩难懂。
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Death and literature: Different approaches, from simplicity to obscurity
This study looks briefly at a range of ways in which writers have approached the concept of death , from expressions of personal grief, through to the ways in which attitudes to death represented in a culture are also picked up and used by writers from the culture concerned. Writers considered are mostly (but not all) from the English and Spanish language traditions, and in particular Seamus Heaney, Thomas Hardy, Miguel de Cervantes and Federico Garcia Lorca. The point is made that not all writing about death is centred on death as a source of personal grief, though a great deal is. Also considered is the way in which some writing about death is transparent, and in a sense overtly simple, while other writing is less so, and may even seem obscure.
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来源期刊
Metode Science Studies Journal
Metode Science Studies Journal HISTORY & PHILOSOPHY OF SCIENCE-
CiteScore
0.80
自引率
0.00%
发文量
18
审稿时长
19 weeks
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