现代中日园林在全球化背景下作为国家认同的象征

IF 0.1 0 ARCHITECTURE Landscape Architecture and Art Pub Date : 2021-12-30 DOI:10.22616/j.landarchart.2021.19.09
Yang Ding, Olena Semykina, Andriy Mykhailenko, Olga M. Ushakova, Oleksandr Khliupin
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引用次数: 0

摘要

本文以具有中日景观设计元素的现代园林和公园为例,分析它们与历史园林的相似程度。通过对历史园林与现代园林和公园的比较分析,来证明东方传统景观设计中哪些元素被引用最多。论述了中日现代园林中体现民族特色的一系列元素。它表明,随着时间的推移,包括在多元文化的直接影响下,以及结合大规模建设的亭台楼阁的典型化,东方花园集中的民族特色是如何逐渐被消除的。作为现代中国园林中最知名的元素,亭台楼阁、雕塑、石头组成、日本花园——鸟取门、佛塔、巨石组成、“干花园”、樱花景观、针叶树和日本枫树都被确定。与中国园林相比,在日本以外的现代日本园林中,可能根本没有建筑,或者建筑数量很少,自然环境本身也更自然。相反,中国以外的中国园林展示了景观设计艺术和人造风景画的工艺。
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Modern Chinese and Japanese garden as a symbol of national identity in the context of globalism
The article considers examples of modern gardens and parks with elements of Chinese and Japanese landscape design, analyzes the degree of their similarity with historic gardens. A comparative analysis of historic gardens and modern gardens and parks is carried out in order to prove which elements of traditional oriental landscape design are cited the most. A set of elements that embody national identity in modern Chinese and Japanese gardens is argued. It is shown how, over time, including under the direct influence of multiculturalism and in connection with the typification of pavilions for mass construction, the concentrated national features of eastern gardens were gradually smoothed out. As the most recognizable elements of modern Chinese gardens, pavilions, sculpture, compositions of stones, Japanese gardens – gates-torii, pagodas, compositions of boulders, "dry gardens", landscaping with sakura, coniferous trees, and Japanese maples were identified. Compared to Chinese gardens, in a modern Japanese garden outside of Japan there may be no buildings at all or their number is minimal, and the natural environment itself is more natural. On the contrary, the Chinese garden outside of China showcases the art of landscape design and the craftsmanship of man-made landscape paintings.
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