Shahira S Fahmy, Basma Mostafa Taha, Hasan Karademir
{"title":"推特上的新闻实践:社交媒体冲突报道个性化的比较视觉研究","authors":"Shahira S Fahmy, Basma Mostafa Taha, Hasan Karademir","doi":"10.1515/omgc-2022-0008","DOIUrl":null,"url":null,"abstract":"Abstract Purpose Using a mixed-method approach, this comparative study unpacks the way journalists personalized the controversial Yemen Civil War by examining the patterns of visual framing on Twitter. It further explores the influence of the individual level factor (home country or foreign identity of the journalist) and organizational level factor (countries affiliated with news organizations directly or indirectly involved in the conflict), on images shared on the Twitter platform. Design/methodology/approach A content analysis and a semiotic analysis of 2880 image tweets were used to investigate the different visual narratives related to the conflict and the extent of personalized journalism on Twitter. Findings The content analysis showed that while journalists offered some personalized reporting, by and large, they preferred to adopt a neutral stance when reporting the conflict. The semiotic analysis complemented the findings and identified more broadly that the image tweets analyzed emphasized the classic war-as-a-tragedy narrative, while at the same time shedding some light on the political conflict. Practical implications Researchers are given guidance into journalistic practices on social media and a deeper understanding of the extent and role of personalized journalism of conflict on Twitter. Social implications This study captured the fluctuating role of journalists on Twitter. Journalists occasionally fluctuated in their visual roles between being neutral observers and moral agents. These fluctuations were likely influenced by an array of factors, including the journalist’s home country or foreign identity and the country affiliation of news organizations they were working for. Originality/value This is the first study to show that journalists from different backgrounds have remained somehow obliged to carry on with their journalistic roles on Twitter. It also sheds light on different levels of influences on personalized war coverage on social media and extend the hierarchy of influence model (Shoemaker, Pamela & Stephen Reese. 1996. Mediating the Message; Theories of influence on mass media content. New York: Longman) in the context of personalized reporting on Twitter. It thus adds to the growing body of knowledge on how this model plays out in an online-first era, especially in non-western contexts.","PeriodicalId":29805,"journal":{"name":"Online Media and Global Communication","volume":"1 1","pages":"23 - 59"},"PeriodicalIF":0.0000,"publicationDate":"2022-02-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"Journalistic Practices on Twitter: A Comparative Visual Study on the Personalization of Conflict Reporting on Social Media\",\"authors\":\"Shahira S Fahmy, Basma Mostafa Taha, Hasan Karademir\",\"doi\":\"10.1515/omgc-2022-0008\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Purpose Using a mixed-method approach, this comparative study unpacks the way journalists personalized the controversial Yemen Civil War by examining the patterns of visual framing on Twitter. It further explores the influence of the individual level factor (home country or foreign identity of the journalist) and organizational level factor (countries affiliated with news organizations directly or indirectly involved in the conflict), on images shared on the Twitter platform. Design/methodology/approach A content analysis and a semiotic analysis of 2880 image tweets were used to investigate the different visual narratives related to the conflict and the extent of personalized journalism on Twitter. Findings The content analysis showed that while journalists offered some personalized reporting, by and large, they preferred to adopt a neutral stance when reporting the conflict. The semiotic analysis complemented the findings and identified more broadly that the image tweets analyzed emphasized the classic war-as-a-tragedy narrative, while at the same time shedding some light on the political conflict. Practical implications Researchers are given guidance into journalistic practices on social media and a deeper understanding of the extent and role of personalized journalism of conflict on Twitter. Social implications This study captured the fluctuating role of journalists on Twitter. Journalists occasionally fluctuated in their visual roles between being neutral observers and moral agents. These fluctuations were likely influenced by an array of factors, including the journalist’s home country or foreign identity and the country affiliation of news organizations they were working for. Originality/value This is the first study to show that journalists from different backgrounds have remained somehow obliged to carry on with their journalistic roles on Twitter. It also sheds light on different levels of influences on personalized war coverage on social media and extend the hierarchy of influence model (Shoemaker, Pamela & Stephen Reese. 1996. 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Journalistic Practices on Twitter: A Comparative Visual Study on the Personalization of Conflict Reporting on Social Media
Abstract Purpose Using a mixed-method approach, this comparative study unpacks the way journalists personalized the controversial Yemen Civil War by examining the patterns of visual framing on Twitter. It further explores the influence of the individual level factor (home country or foreign identity of the journalist) and organizational level factor (countries affiliated with news organizations directly or indirectly involved in the conflict), on images shared on the Twitter platform. Design/methodology/approach A content analysis and a semiotic analysis of 2880 image tweets were used to investigate the different visual narratives related to the conflict and the extent of personalized journalism on Twitter. Findings The content analysis showed that while journalists offered some personalized reporting, by and large, they preferred to adopt a neutral stance when reporting the conflict. The semiotic analysis complemented the findings and identified more broadly that the image tweets analyzed emphasized the classic war-as-a-tragedy narrative, while at the same time shedding some light on the political conflict. Practical implications Researchers are given guidance into journalistic practices on social media and a deeper understanding of the extent and role of personalized journalism of conflict on Twitter. Social implications This study captured the fluctuating role of journalists on Twitter. Journalists occasionally fluctuated in their visual roles between being neutral observers and moral agents. These fluctuations were likely influenced by an array of factors, including the journalist’s home country or foreign identity and the country affiliation of news organizations they were working for. Originality/value This is the first study to show that journalists from different backgrounds have remained somehow obliged to carry on with their journalistic roles on Twitter. It also sheds light on different levels of influences on personalized war coverage on social media and extend the hierarchy of influence model (Shoemaker, Pamela & Stephen Reese. 1996. Mediating the Message; Theories of influence on mass media content. New York: Longman) in the context of personalized reporting on Twitter. It thus adds to the growing body of knowledge on how this model plays out in an online-first era, especially in non-western contexts.
期刊介绍:
Online Media and Global Communication (OMGC) is a new venue for high quality articles on theories and methods about the role of online media in global communication. This journal is sponsored by the Center for Global Public Opinion Research of China and School of Journalism and Communication, Shanghai International Studies University, China. It is published solely online in English. The journal aims to serve as an academic bridge in the research of online media and global communication between the dominating English-speaking world and the non-English speaking world that has remained mostly invisible due to language barriers. Through its structured abstracts for all research articles and uniform keyword system in the United Nations’ official six languages plus Japanese and German (Arabic, Chinese, English, French, Russian, Spanish, Japanese, and German), the journal provides a highly accessible platform to users worldwide. Its unique dual track single-blind and double-blind review system facilitates manuscript reviews with different levels of author identities. OMGC publishes review essays on the state-of-the-art in online media and global communication research in different countries and regions, original research papers on topics related online media and global communication and translated articles from non-English speaking Global South. It strives to be a leading platform for scientific exchange in online media and global communication.
For events and more, consider following us on Twitter at https://twitter.com/OMGCJOURNAL.
Topics
OMGC publishes high quality, innovative and original research on global communication especially in the use of global online media platforms such as Facebook, TikTok, YouTube, Twitter, Instagram, WhatsApp, Weibo, WeChat, Wikipedia, web sites, blogs, etc. This journal will address the contemporary concerns about the effects and operations of global digital media platforms on international relations, international public opinion, fake news and propaganda dissemination, diaspora communication, consumer behavior as well as the balance of voices in the world. Comparative research across countries are particularly welcome. Empirical research is preferred over conceptual papers.
Article Formats
In addition to the standard research article format, the Journal includes the following formats:
● One translation paper selected from Non-English Journals that with high quality as “Gems from the Global South” per issue
● One review essay on current state of research in online media and global communication in a country or region