The Hyperhors. Waldenfels, Falque and Poetry

This contribution attempts, in the face of the criterion of the fruitful contradiction, to build a bridge between two recent developments in phenomenology: the hyperphenomenology of Bernhard Waldenfels on the one hand, and the extraphenomenology of Emmanuel Falque on the other. In the present article, this confrontation first attempts to prepare the possibility of an in-depth comparison. In this process opened here, we obtain a first transitional figure from a viviparous poetry which, in the light of the hyperphenomenologically and extra-phenomenologically unutterable, places in space a third relat: the hissing hyperhors.