{"title":"创意合作:1937-40年澳大利亚光电壁画与国际博览会","authors":"C. De Lorenzo","doi":"10.1080/03087298.2022.2027139","DOIUrl":null,"url":null,"abstract":"This article explores innovations in photographic production and experimentation in Australia, especially Sydney, from 1935 to 1940. While many photographers and photographic societies were still promoting the aesthetics of Pictorialism, others were responding to new demands and opportunities provided by publishing, advertising, international expositions, local exhibitions and architecture. After introducing some of the forces for change, where there was often an easy exchange between photography and design, the article examines four case studies from 1937 to 1940. Three of these were generated by international expositions; all involved different types of photomurals and collaborations across the arts. These collaborations were instrumental in helping to shape Australian modernism and a postwar recovery within the arts.","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"45 1","pages":"162 - 181"},"PeriodicalIF":0.3000,"publicationDate":"2021-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Creative Collaborations: Australian Photomurals and International Expositions 1937–40\",\"authors\":\"C. De Lorenzo\",\"doi\":\"10.1080/03087298.2022.2027139\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article explores innovations in photographic production and experimentation in Australia, especially Sydney, from 1935 to 1940. While many photographers and photographic societies were still promoting the aesthetics of Pictorialism, others were responding to new demands and opportunities provided by publishing, advertising, international expositions, local exhibitions and architecture. After introducing some of the forces for change, where there was often an easy exchange between photography and design, the article examines four case studies from 1937 to 1940. Three of these were generated by international expositions; all involved different types of photomurals and collaborations across the arts. These collaborations were instrumental in helping to shape Australian modernism and a postwar recovery within the arts.\",\"PeriodicalId\":13024,\"journal\":{\"name\":\"History of Photography\",\"volume\":\"45 1\",\"pages\":\"162 - 181\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"History of Photography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03087298.2022.2027139\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"History of Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03087298.2022.2027139","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Creative Collaborations: Australian Photomurals and International Expositions 1937–40
This article explores innovations in photographic production and experimentation in Australia, especially Sydney, from 1935 to 1940. While many photographers and photographic societies were still promoting the aesthetics of Pictorialism, others were responding to new demands and opportunities provided by publishing, advertising, international expositions, local exhibitions and architecture. After introducing some of the forces for change, where there was often an easy exchange between photography and design, the article examines four case studies from 1937 to 1940. Three of these were generated by international expositions; all involved different types of photomurals and collaborations across the arts. These collaborations were instrumental in helping to shape Australian modernism and a postwar recovery within the arts.
期刊介绍:
History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.