创意合作:1937-40年澳大利亚光电壁画与国际博览会

IF 0.3 2区 艺术学 0 ART History of Photography Pub Date : 2021-04-03 DOI:10.1080/03087298.2022.2027139
C. De Lorenzo
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引用次数: 0

摘要

本文探讨了1935年至1940年澳大利亚,特别是悉尼在摄影制作和实验方面的创新。尽管许多摄影师和摄影协会仍在宣传皮克特主义的美学,但其他人则在回应出版、广告、国际博览会、当地展览和建筑带来的新需求和机遇。在介绍了一些变革的力量之后,这篇文章考察了1937年至1940年的四个案例研究。其中三个是由国际博览会产生的;所有这些都涉及不同类型的照片和跨艺术的合作。这些合作有助于塑造澳大利亚现代主义和战后艺术复苏。
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Creative Collaborations: Australian Photomurals and International Expositions 1937–40
This article explores innovations in photographic production and experimentation in Australia, especially Sydney, from 1935 to 1940. While many photographers and photographic societies were still promoting the aesthetics of Pictorialism, others were responding to new demands and opportunities provided by publishing, advertising, international expositions, local exhibitions and architecture. After introducing some of the forces for change, where there was often an easy exchange between photography and design, the article examines four case studies from 1937 to 1940. Three of these were generated by international expositions; all involved different types of photomurals and collaborations across the arts. These collaborations were instrumental in helping to shape Australian modernism and a postwar recovery within the arts.
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来源期刊
CiteScore
0.30
自引率
50.00%
发文量
23
期刊介绍: History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.
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