A Nomenclature for the Cultures and Practices of Writing in Early Modern Theatre

This introductory essay constitutes a survey of the contributions gathered in this issue of JEMS. It begins with an overview of the volume’s area of study and moves on to build a glossary for an academic field whose perimeters are perhaps not all that clear. The survey next dwells – in a little more depth – on the various perspectives offered and issues raised in the volume, concluding with an afterthought on where this collection of papers leaves us as a scholarly community wishing to continue to engage with a difficult interstitial field beyond books and plays and between cultures and practices of writing in early modern theatre