{"title":"再看艾米丽Brontë《呼啸山庄》中的希斯克利夫","authors":"S. Joffe","doi":"10.1080/14748932.2023.2182733","DOIUrl":null,"url":null,"abstract":"Abstract Since Emily Brontë published Wuthering Heights in 1847, critics have debated the nature of Heathcliff’s background. Overwhelmingly, they have viewed Heathcliff as the representation of an Irish, Black, or Roma individual. This paper argues that Brontë incorporated nineteenth-century stereotypes of Jews into her character. Brontë would have been familiar with these stereotypes through her reading of Blackwood’s Magazine which regularly published articles that negatively depicted Jews. Heathcliff’s physical characteristics, his initial inability to speak English, his lineage, and his eventual success all support my contention that Brontë used Jewish stereotypes to create Heathcliff. Additionally, Heathcliff wanders the earth after death, and he is denied access to the Christian afterlife, an idea that confirms his Jewish roots. Such a representation ultimately challenges configurations of Christian identity in Victorian England. By invoking these cruel and unflattering stereotypes, Brontë comments on English society. Heathcliff becomes a character who incorporates both positive qualities and negative stereotypes and allows us to rethink stereotyping.","PeriodicalId":42344,"journal":{"name":"Bronte Studies","volume":"48 1","pages":"75 - 87"},"PeriodicalIF":0.1000,"publicationDate":"2023-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Reconsidering Heathcliff in Emily Brontë’s Wuthering Heights\",\"authors\":\"S. Joffe\",\"doi\":\"10.1080/14748932.2023.2182733\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract Since Emily Brontë published Wuthering Heights in 1847, critics have debated the nature of Heathcliff’s background. Overwhelmingly, they have viewed Heathcliff as the representation of an Irish, Black, or Roma individual. This paper argues that Brontë incorporated nineteenth-century stereotypes of Jews into her character. Brontë would have been familiar with these stereotypes through her reading of Blackwood’s Magazine which regularly published articles that negatively depicted Jews. Heathcliff’s physical characteristics, his initial inability to speak English, his lineage, and his eventual success all support my contention that Brontë used Jewish stereotypes to create Heathcliff. Additionally, Heathcliff wanders the earth after death, and he is denied access to the Christian afterlife, an idea that confirms his Jewish roots. Such a representation ultimately challenges configurations of Christian identity in Victorian England. By invoking these cruel and unflattering stereotypes, Brontë comments on English society. Heathcliff becomes a character who incorporates both positive qualities and negative stereotypes and allows us to rethink stereotyping.\",\"PeriodicalId\":42344,\"journal\":{\"name\":\"Bronte Studies\",\"volume\":\"48 1\",\"pages\":\"75 - 87\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2023-03-29\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Bronte Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14748932.2023.2182733\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE, BRITISH ISLES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Bronte Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14748932.2023.2182733","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE, BRITISH ISLES","Score":null,"Total":0}
Reconsidering Heathcliff in Emily Brontë’s Wuthering Heights
Abstract Since Emily Brontë published Wuthering Heights in 1847, critics have debated the nature of Heathcliff’s background. Overwhelmingly, they have viewed Heathcliff as the representation of an Irish, Black, or Roma individual. This paper argues that Brontë incorporated nineteenth-century stereotypes of Jews into her character. Brontë would have been familiar with these stereotypes through her reading of Blackwood’s Magazine which regularly published articles that negatively depicted Jews. Heathcliff’s physical characteristics, his initial inability to speak English, his lineage, and his eventual success all support my contention that Brontë used Jewish stereotypes to create Heathcliff. Additionally, Heathcliff wanders the earth after death, and he is denied access to the Christian afterlife, an idea that confirms his Jewish roots. Such a representation ultimately challenges configurations of Christian identity in Victorian England. By invoking these cruel and unflattering stereotypes, Brontë comments on English society. Heathcliff becomes a character who incorporates both positive qualities and negative stereotypes and allows us to rethink stereotyping.
期刊介绍:
Brontë Studies is the only journal solely dedicated to research on the Brontë family. Published continuously since 1895, it aims to encourage further study and research on all matters relating to the Brontë family, their background and writings, and their place in literary and cultural history. Original, peer-reviewed articles are published as well as papers delivered at conferences, notes on matters of interest, short notices reporting research activities and correspondence arising from items previously published in the journal. The journal also provides an official record of the Brontë Society and reports new accessions to the Brontë Parsonage Museum and its research library.