{"title":"萨拉热窝哈格达的自由与奴隶制","authors":"A. Cohen","doi":"10.3828/AJ.2019.15.3","DOIUrl":null,"url":null,"abstract":"Abstract:The Sarajevo Haggadah has long been known to scholars as one of the earliest medieval Jewish manuscripts and to the wider public as a symbol of tolerance and hope. Despite its fame, however, one of the most compelling features in the illuminations has yet to be explained satisfactorily: the dark-skinned female figure in the picture that illustrates the family at the Passover Seder feast. In this article I offer an analysis of the figure, one that overturns liberal modern interpretations and points instead to a more contentious medieval context.","PeriodicalId":41476,"journal":{"name":"Ars Judaica-The Bar Ilan Journal of Jewish Art","volume":"15 1","pages":"15 - 28"},"PeriodicalIF":0.1000,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Freedom and Slavery in the Sarajevo Haggadah\",\"authors\":\"A. Cohen\",\"doi\":\"10.3828/AJ.2019.15.3\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract:The Sarajevo Haggadah has long been known to scholars as one of the earliest medieval Jewish manuscripts and to the wider public as a symbol of tolerance and hope. Despite its fame, however, one of the most compelling features in the illuminations has yet to be explained satisfactorily: the dark-skinned female figure in the picture that illustrates the family at the Passover Seder feast. In this article I offer an analysis of the figure, one that overturns liberal modern interpretations and points instead to a more contentious medieval context.\",\"PeriodicalId\":41476,\"journal\":{\"name\":\"Ars Judaica-The Bar Ilan Journal of Jewish Art\",\"volume\":\"15 1\",\"pages\":\"15 - 28\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2019-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Ars Judaica-The Bar Ilan Journal of Jewish Art\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3828/AJ.2019.15.3\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Ars Judaica-The Bar Ilan Journal of Jewish Art","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3828/AJ.2019.15.3","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Abstract:The Sarajevo Haggadah has long been known to scholars as one of the earliest medieval Jewish manuscripts and to the wider public as a symbol of tolerance and hope. Despite its fame, however, one of the most compelling features in the illuminations has yet to be explained satisfactorily: the dark-skinned female figure in the picture that illustrates the family at the Passover Seder feast. In this article I offer an analysis of the figure, one that overturns liberal modern interpretations and points instead to a more contentious medieval context.