{"title":"巴西流行电影视听文化","authors":"Edson Farias, Andréa Borges Leão","doi":"10.1590/s0102-6992-202237010002","DOIUrl":null,"url":null,"abstract":"Abstract This paper’s object consists of the problematizations regarding the popular which are internal to the expressive formats (in this case, the feature film) specific to the audiovisual culture in Brazil. The goals of correlating the Brazilian popular with audiovisual culture result from these two crossed intuitions: a) we understand that the popular, when defined as an object, participates in the constitution of epistemological and artistic fields in the country, mediating them to some extent; b) the popular also becomes subsidies to the designations of the socio-technical audiovisual system in the country. From the cinematographic authorial tradition that emerged between the 1950s and 1960s, we understand that the examination of the historical-empirical resumptions of the problematization regarding the popular, in the interrelationships of the audiovisual system with the other systems that make up the cultural sphere in Brazil, offers an opportunity to reflect on how this system is inserted in the modes of perception and cognition in the arrangement of the modern societal complex, when it offers an alternative of meaning attributions based on its optical, graphic and oral code.","PeriodicalId":35260,"journal":{"name":"Sociedade e Estado","volume":null,"pages":null},"PeriodicalIF":0.0000,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"The Brazilian popular in cinematographic audiovisual culture\",\"authors\":\"Edson Farias, Andréa Borges Leão\",\"doi\":\"10.1590/s0102-6992-202237010002\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Abstract This paper’s object consists of the problematizations regarding the popular which are internal to the expressive formats (in this case, the feature film) specific to the audiovisual culture in Brazil. The goals of correlating the Brazilian popular with audiovisual culture result from these two crossed intuitions: a) we understand that the popular, when defined as an object, participates in the constitution of epistemological and artistic fields in the country, mediating them to some extent; b) the popular also becomes subsidies to the designations of the socio-technical audiovisual system in the country. From the cinematographic authorial tradition that emerged between the 1950s and 1960s, we understand that the examination of the historical-empirical resumptions of the problematization regarding the popular, in the interrelationships of the audiovisual system with the other systems that make up the cultural sphere in Brazil, offers an opportunity to reflect on how this system is inserted in the modes of perception and cognition in the arrangement of the modern societal complex, when it offers an alternative of meaning attributions based on its optical, graphic and oral code.\",\"PeriodicalId\":35260,\"journal\":{\"name\":\"Sociedade e Estado\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-04-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Sociedade e Estado\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1590/s0102-6992-202237010002\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"Social Sciences\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Sociedade e Estado","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1590/s0102-6992-202237010002","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"Social Sciences","Score":null,"Total":0}
The Brazilian popular in cinematographic audiovisual culture
Abstract This paper’s object consists of the problematizations regarding the popular which are internal to the expressive formats (in this case, the feature film) specific to the audiovisual culture in Brazil. The goals of correlating the Brazilian popular with audiovisual culture result from these two crossed intuitions: a) we understand that the popular, when defined as an object, participates in the constitution of epistemological and artistic fields in the country, mediating them to some extent; b) the popular also becomes subsidies to the designations of the socio-technical audiovisual system in the country. From the cinematographic authorial tradition that emerged between the 1950s and 1960s, we understand that the examination of the historical-empirical resumptions of the problematization regarding the popular, in the interrelationships of the audiovisual system with the other systems that make up the cultural sphere in Brazil, offers an opportunity to reflect on how this system is inserted in the modes of perception and cognition in the arrangement of the modern societal complex, when it offers an alternative of meaning attributions based on its optical, graphic and oral code.
期刊介绍：
The review Sociedade e Estado has been edited by the Department of Sociology at the University of Brasilia since of 1986. In this period, original works related to Social Sciences were published in the following categories: theoretical studies, critical reviews of literature, research reports, technical reports, reviews and notices. Its abbreviated title is Soc. estado, which should be used in bibliographies, footnotes and bibliographical references and strips.
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