‘Ingratitude! Treachery! Revenge!’: Race, Empire, and Mutinous Femininities in Harriette Gordon Smythies’ A Faithful Woman (1865)

Harriette Gordon Smythies’ overlooked sensation novel A Faithful Woman (1865) engages with two cultural formations instrumental in shaping the Victorians’ representations of race, and to a large degree, also their understanding of it: The Indian Rebellion of 1857 and minstrelsy. As its various symbolic appropriations of mutinous women show, the novel is highly critical of the easy and essentialising recriminations of ‘vile’ Indianness and offers a keen appreciation of the parallels between the Empire’s racialising oppressions abroad and its gendered oppressions at home. At the same time, however, its representations of African American characters seek to enshrine Britain’s moral superiority vis-à-vis the United States’ slavery system. Particularly, A Faithful Woman’s examinations of racialised imaginations of Indian Britons and African Americans – contrasting, for instance, British sculpture and portraiture with (allegedly) American minstrelsy – speak to its attempt to dissociate the practices of Empire from its former colonies across the Atlantic. Its critical examination of imperial notions of race in post-Rebellion sensation fiction, this article argues, helps to reaffirm the very colonial practices that it seeks to undermine.