{"title":"政治的讽刺,重新考虑","authors":"Tom Grimwood","doi":"10.1080/14797585.2021.1922803","DOIUrl":null,"url":null,"abstract":"ABSTRACT Franco ‘Bifo’ Berardi concludes his analysis of critical malaise in late capitalism with a bold call to arms: post-liberal dystopia must be faced and dissolved by irony. He argues for a renewed ironic autonomy, which emphasises the independence of mind from knowledge and the excessive nature of the imagination. Developing Berardi’s argument, I suggest there are three obstacles to theorising irony as a form of politics. The first is that a politics of irony is often accused of being either a fraudulent or amoral form of politics, which has itself allowed a post-liberal malaise to fester and grow. The second problem is that irony may no longer be simply an ambivalent tool of critique from the edges of political discourse, but instead a tool which perpetuates its very centre. The third problem is that theorising the performance and place of irony in relation to political critique often results in a slippage from the complexity of the second problem to the impasse of the first. I argue that Berardi’s ‘ironic autonomy’ is entirely possible, so long as the politics of irony is understood as depending on the different forms and media of interpretative space through which contemporary politics takes place.","PeriodicalId":44587,"journal":{"name":"Journal for Cultural Research","volume":"25 1","pages":"175 - 188"},"PeriodicalIF":1.5000,"publicationDate":"2021-04-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"https://sci-hub-pdf.com/10.1080/14797585.2021.1922803","citationCount":"2","resultStr":"{\"title\":\"The politics of irony, reconsidered\",\"authors\":\"Tom Grimwood\",\"doi\":\"10.1080/14797585.2021.1922803\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT Franco ‘Bifo’ Berardi concludes his analysis of critical malaise in late capitalism with a bold call to arms: post-liberal dystopia must be faced and dissolved by irony. He argues for a renewed ironic autonomy, which emphasises the independence of mind from knowledge and the excessive nature of the imagination. Developing Berardi’s argument, I suggest there are three obstacles to theorising irony as a form of politics. The first is that a politics of irony is often accused of being either a fraudulent or amoral form of politics, which has itself allowed a post-liberal malaise to fester and grow. The second problem is that irony may no longer be simply an ambivalent tool of critique from the edges of political discourse, but instead a tool which perpetuates its very centre. The third problem is that theorising the performance and place of irony in relation to political critique often results in a slippage from the complexity of the second problem to the impasse of the first. I argue that Berardi’s ‘ironic autonomy’ is entirely possible, so long as the politics of irony is understood as depending on the different forms and media of interpretative space through which contemporary politics takes place.\",\"PeriodicalId\":44587,\"journal\":{\"name\":\"Journal for Cultural Research\",\"volume\":\"25 1\",\"pages\":\"175 - 188\"},\"PeriodicalIF\":1.5000,\"publicationDate\":\"2021-04-03\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"https://sci-hub-pdf.com/10.1080/14797585.2021.1922803\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal for Cultural Research\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14797585.2021.1922803\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"CULTURAL STUDIES\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal for Cultural Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14797585.2021.1922803","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"CULTURAL STUDIES","Score":null,"Total":0}
ABSTRACT Franco ‘Bifo’ Berardi concludes his analysis of critical malaise in late capitalism with a bold call to arms: post-liberal dystopia must be faced and dissolved by irony. He argues for a renewed ironic autonomy, which emphasises the independence of mind from knowledge and the excessive nature of the imagination. Developing Berardi’s argument, I suggest there are three obstacles to theorising irony as a form of politics. The first is that a politics of irony is often accused of being either a fraudulent or amoral form of politics, which has itself allowed a post-liberal malaise to fester and grow. The second problem is that irony may no longer be simply an ambivalent tool of critique from the edges of political discourse, but instead a tool which perpetuates its very centre. The third problem is that theorising the performance and place of irony in relation to political critique often results in a slippage from the complexity of the second problem to the impasse of the first. I argue that Berardi’s ‘ironic autonomy’ is entirely possible, so long as the politics of irony is understood as depending on the different forms and media of interpretative space through which contemporary politics takes place.
期刊介绍:
JouJournal for Cultural Research is an international journal, based in Lancaster University"s Institute for Cultural Research. It is interested in essays concerned with the conjuncture between culture and the many domains and practices in relation to which it is usually defined, including, for example, media, politics, technology, economics, society, art and the sacred. Culture is no longer, if it ever was, singular. It denotes a shifting multiplicity of signifying practices and value systems that provide a potentially infinite resource of academic critique, investigation and ethnographic or market research into cultural difference, cultural autonomy, cultural emancipation and the cultural aspects of power.