{"title":"十美元的面孔:论19世纪60年代的摄影肖像和纸币","authors":"Matthias Gründig","doi":"10.1080/03087298.2021.1989904","DOIUrl":null,"url":null,"abstract":"Paper photography and paper money share a common history, especially in the context of the USA in the 1860s, a commonality explored by this article. The interconnection of the two media was first addressed by Oliver Wendell Holmes’s metaphorical description of cartes de visite as ‘sentimental “green-backs” of civilization’. This article focuses on Abraham Lincoln’s public image as presidential candidate, one that was heavily influenced by the new craze for cartes de visite. At the same time, the advent of modern paper money as we know it is marked by the introduction of Demand Notes or so-called greenbacks, of which the ten-dollar denomination showed Lincoln’s portrait after a photograph. Medial intersections between paper money and photography are taken into consideration in more theoretical terms, before a concluding section sets out the wider context of photography’s involvement in the emergence and early turbulences of early national paper currencies in the Civil War era.","PeriodicalId":13024,"journal":{"name":"History of Photography","volume":"45 1","pages":"5 - 19"},"PeriodicalIF":0.3000,"publicationDate":"2021-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Ten Dollar Faces: On Photographic Portraiture and Paper Money in the 1860s\",\"authors\":\"Matthias Gründig\",\"doi\":\"10.1080/03087298.2021.1989904\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Paper photography and paper money share a common history, especially in the context of the USA in the 1860s, a commonality explored by this article. The interconnection of the two media was first addressed by Oliver Wendell Holmes’s metaphorical description of cartes de visite as ‘sentimental “green-backs” of civilization’. This article focuses on Abraham Lincoln’s public image as presidential candidate, one that was heavily influenced by the new craze for cartes de visite. At the same time, the advent of modern paper money as we know it is marked by the introduction of Demand Notes or so-called greenbacks, of which the ten-dollar denomination showed Lincoln’s portrait after a photograph. Medial intersections between paper money and photography are taken into consideration in more theoretical terms, before a concluding section sets out the wider context of photography’s involvement in the emergence and early turbulences of early national paper currencies in the Civil War era.\",\"PeriodicalId\":13024,\"journal\":{\"name\":\"History of Photography\",\"volume\":\"45 1\",\"pages\":\"5 - 19\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2021-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"History of Photography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/03087298.2021.1989904\",\"RegionNum\":2,\"RegionCategory\":\"艺术学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"ART\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"History of Photography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/03087298.2021.1989904","RegionNum":2,"RegionCategory":"艺术学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"ART","Score":null,"Total":0}
Ten Dollar Faces: On Photographic Portraiture and Paper Money in the 1860s
Paper photography and paper money share a common history, especially in the context of the USA in the 1860s, a commonality explored by this article. The interconnection of the two media was first addressed by Oliver Wendell Holmes’s metaphorical description of cartes de visite as ‘sentimental “green-backs” of civilization’. This article focuses on Abraham Lincoln’s public image as presidential candidate, one that was heavily influenced by the new craze for cartes de visite. At the same time, the advent of modern paper money as we know it is marked by the introduction of Demand Notes or so-called greenbacks, of which the ten-dollar denomination showed Lincoln’s portrait after a photograph. Medial intersections between paper money and photography are taken into consideration in more theoretical terms, before a concluding section sets out the wider context of photography’s involvement in the emergence and early turbulences of early national paper currencies in the Civil War era.
期刊介绍:
History of Photography is an international quarterly devoted to the history, practice and theory of photography. It intends to address all aspects of the medium, treating the processes, circulation, functions, and reception of photography in all its aspects, including documentary, popular and polemical work as well as fine art photography. The goal of the journal is to be inclusive and interdisciplinary in nature, welcoming all scholarly approaches, whether archival, historical, art historical, anthropological, sociological or theoretical. It is intended also to embrace world photography, ranging from Europe and the Americas to the Far East.