打破公告牌杂志的模式:芭芭拉·史翠珊、迈克尔·杰克逊和胡里奥·伊格莱西亚斯的超级特辑

Q4 Social Sciences Journalism history Pub Date : 2022-06-14 DOI:10.1080/00947679.2022.2084293
Madeleine Liseblad, G. Pitts
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引用次数: 0

摘要

摘要为了应对经济衰退,世界上最古老的贸易出版物之一《公告牌》在三期超级特刊中大幅更改了封面。《芭芭拉·史翠珊传奇》的大获成功带来了所需的收入,以及《公告牌》和史翠珊的电影《Yentl》及其原声音乐之间的协同营销关系。随后又推出了两个超级特辑:《迈克尔·杰克逊传奇》和《胡里奥·伊格莱西亚斯的世界》。杰克逊批准了与胜利巡回演唱会同时进行的编辑内容。伊格莱西亚斯的这期发行了他的新专辑和巡演。这些问题对《公告牌》来说是一个财政上的福音,因为它有广告内容和有争议的封面“出售”。《公告牌》从商业出版物转变为名人消费出版物,并将杂志转变为一种新的、更具商业和消费者吸引力的产品。这项研究考察了《公告牌》在整合、新媒体技术和名人文化影响威胁杂志业时为生存而进行的转型。
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Breaking the Billboard Magazine Mold: The Barbra Streisand, Michael Jackson, and Julio Iglesias Super Specials
ABSTRACT Battling an economic recession, Billboard—one of the world’s oldest trade publications—dramatically altered its cover appearance in three super special issues. The smashing success of “The Legend of Barbra Streisand” issue brought needed revenue and a synergistic marketing relationship between Billboard and Streisand’s movie Yentl and its soundtrack. Two more super specials followed: “The Saga of Michael Jackson” and “The World of Julio Iglesias.” Jackson approved editorial content, timed with the Victory Tour. Iglesias’s issue released with his new album and tour. These issues were a financial boon for Billboard, with advertorial content and a controversial “selling” of the cover. Billboard crossed from trade to celebrity consumer publication and transformed the magazine into a new, glossier product with trade and consumer appeal. This study examines Billboard's transformation for survival when consolidation, new media technologies, and celebrity culture influences threatened the magazine industry.
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来源期刊
Journalism history
Journalism history Social Sciences-Communication
CiteScore
0.40
自引率
0.00%
发文量
26
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