{"title":"引言:彼得·韦斯与反抗美学","authors":"K. Evers, J. Hell, Seth Howes","doi":"10.1215/0094033x-9965276","DOIUrl":null,"url":null,"abstract":"In this introduction the editors first trace the reception of Peter Weiss’s Aesthetics of Resistance in (West) Germany and the United States. Focusing on the relation between politics and aesthetics, some critics characterized this relation as fraught, arguing that the novel’s supposedly outdated politics ultimately rendered it obsolete. Others approached the novel as a writing experiment articulating politics and aesthetics in tense but productive ways. Proceeding and departing from these established views of Weiss’s text, the editors then propose a reading that understands the novel as deliberately opening itself up to future readings, a text conceived and structured to engage readers of not-yet-determined futures.","PeriodicalId":46595,"journal":{"name":"NEW GERMAN CRITIQUE","volume":" ","pages":""},"PeriodicalIF":0.4000,"publicationDate":"2022-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Introduction: Peter Weiss and The Aesthetics of Resistance\",\"authors\":\"K. Evers, J. Hell, Seth Howes\",\"doi\":\"10.1215/0094033x-9965276\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"In this introduction the editors first trace the reception of Peter Weiss’s Aesthetics of Resistance in (West) Germany and the United States. Focusing on the relation between politics and aesthetics, some critics characterized this relation as fraught, arguing that the novel’s supposedly outdated politics ultimately rendered it obsolete. Others approached the novel as a writing experiment articulating politics and aesthetics in tense but productive ways. Proceeding and departing from these established views of Weiss’s text, the editors then propose a reading that understands the novel as deliberately opening itself up to future readings, a text conceived and structured to engage readers of not-yet-determined futures.\",\"PeriodicalId\":46595,\"journal\":{\"name\":\"NEW GERMAN CRITIQUE\",\"volume\":\" \",\"pages\":\"\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2022-11-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"NEW GERMAN CRITIQUE\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1215/0094033x-9965276\",\"RegionNum\":3,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERARY THEORY & CRITICISM\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"NEW GERMAN CRITIQUE","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1215/0094033x-9965276","RegionNum":3,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERARY THEORY & CRITICISM","Score":null,"Total":0}
Introduction: Peter Weiss and The Aesthetics of Resistance
In this introduction the editors first trace the reception of Peter Weiss’s Aesthetics of Resistance in (West) Germany and the United States. Focusing on the relation between politics and aesthetics, some critics characterized this relation as fraught, arguing that the novel’s supposedly outdated politics ultimately rendered it obsolete. Others approached the novel as a writing experiment articulating politics and aesthetics in tense but productive ways. Proceeding and departing from these established views of Weiss’s text, the editors then propose a reading that understands the novel as deliberately opening itself up to future readings, a text conceived and structured to engage readers of not-yet-determined futures.
期刊介绍:
Widely considered the top journal in its field, New German Critique is an interdisciplinary journal that focuses on twentieth- and twenty-first-century German studies and publishes on a wide array of subjects, including literature, film, and media; literary theory and cultural studies; Holocaust studies; art and architecture; political and social theory; and philosophy. Established in the early 1970s, the journal has played a significant role in introducing U.S. readers to Frankfurt School thinkers and remains an important forum for debate in the humanities.