{"title":"幻想能解放幻想吗?Nnedi Okorafor的《赤田女巫》中奇幻的白度、边缘化和生产潜力","authors":"Bevin Roue","doi":"10.1353/uni.2021.0005","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":43426,"journal":{"name":"LION AND THE UNICORN","volume":"45 1","pages":"102 - 81"},"PeriodicalIF":0.4000,"publicationDate":"2021-09-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Can Fantasy Free the Fantastic?: Whiteness, Marginalization, and the Productive Potential of the Fantastic in Nnedi Okorafor’s Akata Witch\",\"authors\":\"Bevin Roue\",\"doi\":\"10.1353/uni.2021.0005\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":43426,\"journal\":{\"name\":\"LION AND THE UNICORN\",\"volume\":\"45 1\",\"pages\":\"102 - 81\"},\"PeriodicalIF\":0.4000,\"publicationDate\":\"2021-09-07\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"LION AND THE UNICORN\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1353/uni.2021.0005\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"LION AND THE UNICORN","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1353/uni.2021.0005","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
期刊介绍:
The Lion and the Unicorn is a theme- and genre-centered journal of international scope committed to a serious, ongoing discussion of literature for children. The journal"s coverage includes the state of the publishing industry, regional authors, comparative studies of significant books and genres, new developments in theory, the art of illustration, the mass media, and popular culture. It has become noted for its interviews with authors, editors, and other important contributors to the field, such as Mildred Wirt Benson, Robert Cormier, Chris Crutcher, Lensey Namioka, Philip Pullman, and Aranka Siegal.