V for Vivienda, V for Viñeta:西班牙漫画和图画小说中的残余和居住政治

Q4 Arts and Humanities Bulletin of Spanish Visual Studies Pub Date : 2020-07-02 DOI:10.1080/24741604.2020.1827611
R. Prout
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引用次数: 0

摘要

摘要本文利用西班牙住房部门的新经济和活动家历史,阅读了从13、Rue del Percebe(Francisco Ibáñez,1961)到Españistán(Aleix Saló,2011)和La casa(Paco Roca,2015)的西班牙漫画和平面小说中住宅空间的表现。它考察了西班牙的视觉叙事艺术如何反映佛朗哥时代的住房战略及其在2008年危机后对西班牙经济的持久影响之间的连续性。这篇文章细读了帕科·罗卡在《拉卡萨》中采用的创新的形式、叙事和特定类型的技术。它的离散部分讲述了西班牙自20世纪50年代以来奉行的三元发展模式(旅游建设-金融发展)的独裁时期和后过渡民主时代的经济和社会历史。
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V for Vivienda, V for Viñeta: Residual and Residential Politics in Spanish Comics and Graphic Novels
Abstract This article uses new economic and activist histories of Spain’s housing sector to read the representation of residential spaces in Spanish comics and graphic novels from 13, Rue del Percebe (Francisco Ibáñez, 1961) to Españistán (Aleix Saló, 2011), and La casa (Paco Roca, 2015). It examines how visual narrative art from Spain reflects continuities between housing strategy in the Franco era and its enduring effects on Spain’s economy following the 2008 crisis. The article presents a close reading of the innovative formal, narrative, and genre-specific techniques employed by Paco Roca in La casa. Its discrete sections articulate an economic and social history suturing the dictatorship period and the post-transitional democratic era, around the triadic development model (tourism-construction-financial development) pursued in Spain since the 1950s.
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来源期刊
Bulletin of Spanish Visual Studies
Bulletin of Spanish Visual Studies Arts and Humanities-Visual Arts and Performing Arts
CiteScore
0.20
自引率
0.00%
发文量
15
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