{"title":"弗洛伊德的犹太笑话：笑话及其与无意识的关系","authors":"Elizabeth Rottenberg","doi":"10.3366/PARA.2021.0357","DOIUrl":null,"url":null,"abstract":"What is at play in play? What does it mean to take play seriously? Or, in the case of Sigmund Freud, what does it means to take jokes seriously? This article argues that Sarah Kofman's reading of Jokes and Their Relation to the Unconscious, in her 1986 book Pourquoi rit-on? Freud et le mot d'esprit, provides us with one of the most serious and playful responses to these questions. It claims that a kind of Oedipal play leads Kofman to analyse Freud's book, to put it — and therefore him — on the couch.","PeriodicalId":44142,"journal":{"name":"PARAGRAPH","volume":null,"pages":null},"PeriodicalIF":0.2000,"publicationDate":"2021-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Freud's Jewish Jokes: The Case of Jokes and Their Relation to the Unconscious\",\"authors\":\"Elizabeth Rottenberg\",\"doi\":\"10.3366/PARA.2021.0357\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"What is at play in play? What does it mean to take play seriously? Or, in the case of Sigmund Freud, what does it means to take jokes seriously? This article argues that Sarah Kofman's reading of Jokes and Their Relation to the Unconscious, in her 1986 book Pourquoi rit-on? Freud et le mot d'esprit, provides us with one of the most serious and playful responses to these questions. It claims that a kind of Oedipal play leads Kofman to analyse Freud's book, to put it — and therefore him — on the couch.\",\"PeriodicalId\":44142,\"journal\":{\"name\":\"PARAGRAPH\",\"volume\":null,\"pages\":null},\"PeriodicalIF\":0.2000,\"publicationDate\":\"2021-03-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"PARAGRAPH\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/PARA.2021.0357\",\"RegionNum\":4,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"LITERATURE\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"PARAGRAPH","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/PARA.2021.0357","RegionNum":4,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"LITERATURE","Score":null,"Total":0}
Freud's Jewish Jokes: The Case of Jokes and Their Relation to the Unconscious
What is at play in play? What does it mean to take play seriously? Or, in the case of Sigmund Freud, what does it means to take jokes seriously? This article argues that Sarah Kofman's reading of Jokes and Their Relation to the Unconscious, in her 1986 book Pourquoi rit-on? Freud et le mot d'esprit, provides us with one of the most serious and playful responses to these questions. It claims that a kind of Oedipal play leads Kofman to analyse Freud's book, to put it — and therefore him — on the couch.
期刊介绍：
Founded in 1983, Paragraph is a leading journal in modern critical theory. It publishes essays and review articles in English which explore critical theory in general and its application to literature, other arts and society. Regular special issues by guest editors highlight important themes and figures in modern critical theory.
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