银幕上的克里奥尔化:盖·德斯劳里耶的《中间通道》作为非洲流散话语

Q1 Social Sciences African and Black Diaspora Pub Date : 2019-06-06 DOI:10.1080/17528631.2019.1611320

Sophie Saint-Just

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引用次数: 0

摘要

Le passage du milieu(法国，1999年)或The middle passage(美国，2001年)从理论和概念上对银幕上的克里奥尔化过程进行了视觉和听觉上的翻译。电影制作人Guy Deslauriers和他的编剧借鉴了中间通道的文学和理论图像，用对奴隶贸易的抽象和迷失方向的反思取代了情节驱动的西方文学和视觉结构，将电影置于非洲流散话语的传统中，并将这艘船假设为第一个岛屿和原始克里奥尔化的原始地点。

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Creolization on screen: Guy Deslauriers’s The Middle Passage as Afro-Diasporic Discourse [Le passage du milieu]

ABSTRACT Le passage du milieu (France, 1999) or The Middle-Passage (US version, 2001) proposes in theoretical and conceptual cinematic language a visual and aural translation of the Creolization process on screen. Drawing on literary and theoretical imageries of the middle passage, Filmmaker Guy Deslauriers and his screenwriters replace plot-driven Western literary and visual constructions of la traite with an abstract and disorienting rumination on the slave trade to situate the film in a tradition of African diasporic discourses and to posit the ship as the first island and the original site of proto-creolization.

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African and Black Diaspora Social Sciences-Cultural Studies

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