曼德尔斯坦的诗歌与艺术——俄罗斯文化的哲学直觉

IF 0.1 4区 哲学 Q4 Arts and Humanities RUSSIAN STUDIES IN PHILOSOPHY Pub Date : 2021-03-04 DOI:10.1080/10611967.2021.1928938
O. Zhukova
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引用次数: 0

摘要

本文从20世纪上半叶俄罗斯和欧洲文化的审美和意识形态转变以及该时期的哲学探究的背景下,分析了奥西普·曼德尔施塔姆(1891-1938)的艺术经历。曼德尔施塔姆克服了现代主义美学的纲领性,从这些美学中汲取了自己的艺术思想和形象,同时也以艺术前卫的形式反对后古典文化。依靠他自己的诗歌和智力直觉,他在他的论文和批评作品中从理论上解释和形式化,他主张一种作者式的,反思式的现代诗歌风格,这种风格预示了20世纪末和21世纪初的后非古典艺术文化特征。
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Mandelstam’s Poetry and Artistic–Philosophical Intuitions of Russian Culture
ABSTRACT This article analyzes the artistic experience of Osip E. Mandelstam (1891–1938) in the context of the aesthetic and ideological transformations of Russian and European culture during the first half of the twentieth century and of the philosophical inquiries of that period. Overcoming the programmatic multitudes of modernist aesthetics, Mandelstam draws his own artistic ideas and images from those aesthetics while also opposing postclassical culture in the form of the artistic avant-garde. Relying on his own poetic and intellectual intuition, which he explicated and formalized theoretically in his essays and works of criticism, he asserts an authorly, reflective style of modern poetry that anticipated the post-nonclassical artistic culture characteristic of the late twentieth and early twenty-first centuries.
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来源期刊
CiteScore
0.10
自引率
0.00%
发文量
14
期刊介绍: Russian Studies in Philosophy publishes thematic issues featuring selected scholarly papers from conferences and joint research projects as well as from the leading Russian-language journals in philosophy. Thematic coverage ranges over significant theoretical topics as well as topics in the history of philosophy, both European and Russian, including issues focused on institutions, schools, and figures such as Bakhtin, Fedorov, Leontev, Losev, Rozanov, Solovev, and Zinovev.
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