{"title":"曼德尔斯坦的诗歌与艺术——俄罗斯文化的哲学直觉","authors":"O. Zhukova","doi":"10.1080/10611967.2021.1928938","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article analyzes the artistic experience of Osip E. Mandelstam (1891–1938) in the context of the aesthetic and ideological transformations of Russian and European culture during the first half of the twentieth century and of the philosophical inquiries of that period. Overcoming the programmatic multitudes of modernist aesthetics, Mandelstam draws his own artistic ideas and images from those aesthetics while also opposing postclassical culture in the form of the artistic avant-garde. Relying on his own poetic and intellectual intuition, which he explicated and formalized theoretically in his essays and works of criticism, he asserts an authorly, reflective style of modern poetry that anticipated the post-nonclassical artistic culture characteristic of the late twentieth and early twenty-first centuries.","PeriodicalId":42094,"journal":{"name":"RUSSIAN STUDIES IN PHILOSOPHY","volume":"59 1","pages":"81 - 89"},"PeriodicalIF":0.1000,"publicationDate":"2021-03-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mandelstam’s Poetry and Artistic–Philosophical Intuitions of Russian Culture\",\"authors\":\"O. Zhukova\",\"doi\":\"10.1080/10611967.2021.1928938\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article analyzes the artistic experience of Osip E. Mandelstam (1891–1938) in the context of the aesthetic and ideological transformations of Russian and European culture during the first half of the twentieth century and of the philosophical inquiries of that period. Overcoming the programmatic multitudes of modernist aesthetics, Mandelstam draws his own artistic ideas and images from those aesthetics while also opposing postclassical culture in the form of the artistic avant-garde. Relying on his own poetic and intellectual intuition, which he explicated and formalized theoretically in his essays and works of criticism, he asserts an authorly, reflective style of modern poetry that anticipated the post-nonclassical artistic culture characteristic of the late twentieth and early twenty-first centuries.\",\"PeriodicalId\":42094,\"journal\":{\"name\":\"RUSSIAN STUDIES IN PHILOSOPHY\",\"volume\":\"59 1\",\"pages\":\"81 - 89\"},\"PeriodicalIF\":0.1000,\"publicationDate\":\"2021-03-04\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"RUSSIAN STUDIES IN PHILOSOPHY\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/10611967.2021.1928938\",\"RegionNum\":4,\"RegionCategory\":\"哲学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"RUSSIAN STUDIES IN PHILOSOPHY","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/10611967.2021.1928938","RegionNum":4,"RegionCategory":"哲学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
Mandelstam’s Poetry and Artistic–Philosophical Intuitions of Russian Culture
ABSTRACT This article analyzes the artistic experience of Osip E. Mandelstam (1891–1938) in the context of the aesthetic and ideological transformations of Russian and European culture during the first half of the twentieth century and of the philosophical inquiries of that period. Overcoming the programmatic multitudes of modernist aesthetics, Mandelstam draws his own artistic ideas and images from those aesthetics while also opposing postclassical culture in the form of the artistic avant-garde. Relying on his own poetic and intellectual intuition, which he explicated and formalized theoretically in his essays and works of criticism, he asserts an authorly, reflective style of modern poetry that anticipated the post-nonclassical artistic culture characteristic of the late twentieth and early twenty-first centuries.
期刊介绍:
Russian Studies in Philosophy publishes thematic issues featuring selected scholarly papers from conferences and joint research projects as well as from the leading Russian-language journals in philosophy. Thematic coverage ranges over significant theoretical topics as well as topics in the history of philosophy, both European and Russian, including issues focused on institutions, schools, and figures such as Bakhtin, Fedorov, Leontev, Losev, Rozanov, Solovev, and Zinovev.