Mucamas还是Baianas?:巴伊亚的黑人女性赋权和文化代表性。

IF 0.2 0 HUMANITIES, MULTIDISCIPLINARY Latin Americanist Pub Date : 2021-04-10 DOI:10.1353/TLA.2021.0002
Vanessa Castañeda
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引用次数: 1

摘要

摘要:2019年,前《Vogue Brasil》风格总监多纳塔·梅雷莱斯在她的个人Instagram上发布了一张庆祝50岁生日的照片,她坐在两名站着的黑人女性中间,穿着让人想起奴隶制的礼服。这张照片立即在网上疯传,活动人士、学者和民间社会抗议这张照片对持续存在的结构性种族主义的描述,宣称黑人女性被雇为奴隶或家奴,参加一个以奴隶制为主题的派对。照片中的黑人女性是baianas de receivevo,她们是私人和公共活动的主持人;鲜为人知的生计。这篇文章认为,在围绕这张照片的争论中,拜亚纳斯的代理权被否定了,这表明这些女性通过从事这种劳动来助长她们的压迫。通过跨学科研究,包括民族志和半结构化访谈,并倡导谨慎和政治的倾听行为,本文以巴伊亚人的声音为中心,揭示巴伊亚生活的日常复杂性、他们的文化特性,以及他们在巴西巴伊亚当前的社会和经济领域中的运作方式。最终,由于巴西种族化和性别化叙事的悠久历史,以及尽管是辩论的主题,但巴亚纳人没有被邀请参加对话的争论性例子,巴亚纳夫妇经历了双重身份的消失。通过分析巴亚纳人在当代巴西所获得的政治效力,本文对这张照片有了更细致的理解,并建议将倾听作为更公平辩论的框架。
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Mucamas or Baianas?: Black Female Empowerment and Cultural Representation in Bahia.
Abstract:In 2019, former Vogue Brasil style director, Donata Meirelles, posted a photograph on her personal Instagram, celebrating her fiftieth birthday, where she sat in between two standing Black women, dressed in gowns reminiscent of slavery. The image immediately went viral as activists, academics, and civil society protested the photo’s depiction of persistent structural racism, proclaiming that the Black women were hired as mucamas, or house slaves, for a slavery-themed party. The Black women in the photograph are baianas de receptivo, who work as hosts for private and public events; a livelihood that is little understood. This article argues that the baianas’ agency was negated in the polemical discourse surrounding the photograph, which suggested that these women contribute to their oppression by performing this kind of labor. Through interdisciplinary research, including ethnography and semi-structured interviews, and advocating for the careful and political act of listening, this article centers the voices of the baianas to reveal the daily complexities of the baiana de receptivo livelihood, their cultural specificity, and how they operate in the current social and economic spheres of Bahia, Brazil. Ultimately, the baianas experienced a double erasure of agency rooted in both the long history of Brazilian racialized and gendered narratives and this polemical instance in which baianas were not invited to the conversation, despite being the subjects of debate. By analyzing the political efficacy that baianas have attained in contemporary Brazil, this article provides a more nuanced understanding of the photograph and proposes listening, as a frame for more equitable debates.
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来源期刊
Latin Americanist
Latin Americanist HUMANITIES, MULTIDISCIPLINARY-
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