{"title":"“向所有人开放”:在纪念空间中坚持激进宽容","authors":"Rebecca A. Costantini","doi":"10.1080/14791420.2022.2029514","DOIUrl":null,"url":null,"abstract":"ABSTRACT On Friday, May 18, 2018, the grounds of Rothko Chapel in Houston, Texas were splashed with white acrylic paint and littered with flyers containing a brief, targeted manifesto: “It’s okay to be white.” Through interviews with Rothko Chapel staff members, I explore the various tensions that arise from a commemorative space that upholds a policy of radical tolerance—that is, an elevated human virtue that attempts to transcend the limitations of mere tolerance by requiring a deeper reflexivity toward acts of hate and violence—becoming the subject of an intolerant, violent act that challenged the central values of its mission.","PeriodicalId":46339,"journal":{"name":"Communication and Critical-Cultural Studies","volume":"19 1","pages":"37 - 53"},"PeriodicalIF":1.1000,"publicationDate":"2022-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“Open to all people”: upholding radical tolerance in commemorative spaces\",\"authors\":\"Rebecca A. Costantini\",\"doi\":\"10.1080/14791420.2022.2029514\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT On Friday, May 18, 2018, the grounds of Rothko Chapel in Houston, Texas were splashed with white acrylic paint and littered with flyers containing a brief, targeted manifesto: “It’s okay to be white.” Through interviews with Rothko Chapel staff members, I explore the various tensions that arise from a commemorative space that upholds a policy of radical tolerance—that is, an elevated human virtue that attempts to transcend the limitations of mere tolerance by requiring a deeper reflexivity toward acts of hate and violence—becoming the subject of an intolerant, violent act that challenged the central values of its mission.\",\"PeriodicalId\":46339,\"journal\":{\"name\":\"Communication and Critical-Cultural Studies\",\"volume\":\"19 1\",\"pages\":\"37 - 53\"},\"PeriodicalIF\":1.1000,\"publicationDate\":\"2022-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Communication and Critical-Cultural Studies\",\"FirstCategoryId\":\"98\",\"ListUrlMain\":\"https://doi.org/10.1080/14791420.2022.2029514\",\"RegionNum\":1,\"RegionCategory\":\"文学\",\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q3\",\"JCRName\":\"COMMUNICATION\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Communication and Critical-Cultural Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/14791420.2022.2029514","RegionNum":1,"RegionCategory":"文学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q3","JCRName":"COMMUNICATION","Score":null,"Total":0}
“Open to all people”: upholding radical tolerance in commemorative spaces
ABSTRACT On Friday, May 18, 2018, the grounds of Rothko Chapel in Houston, Texas were splashed with white acrylic paint and littered with flyers containing a brief, targeted manifesto: “It’s okay to be white.” Through interviews with Rothko Chapel staff members, I explore the various tensions that arise from a commemorative space that upholds a policy of radical tolerance—that is, an elevated human virtue that attempts to transcend the limitations of mere tolerance by requiring a deeper reflexivity toward acts of hate and violence—becoming the subject of an intolerant, violent act that challenged the central values of its mission.
期刊介绍:
Communication and Critical/Cultural Studies (CC/CS) is a peer-reviewed publication of the National Communication Association. CC/CS publishes original scholarship that situates culture as a site of struggle and communication as an enactment and discipline of power. The journal features critical inquiry that cuts across academic and theoretical boundaries. CC/CS welcomes a variety of methods including textual, discourse, and rhetorical analyses alongside auto/ethnographic, narrative, and poetic inquiry.