倾听,但不被倾听:年轻女性,流行音乐,流媒体和广播

IF 1.3 3区 艺术学 0 MUSIC POPULAR MUSIC AND SOCIETY Pub Date : 2022-08-12 DOI:10.1080/03007766.2022.2111513
David Crider
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引用次数: 4

摘要

唱片和广播行业因缺乏性别平等而面临清算。虽然Z世代即将成为主导音乐受众,但对年轻女性听众的需求和需求的研究却很缺乏。这项研究利用焦点小组调查了z世代女性对当今音乐和音频媒体选择的看法。具体来说,她们的音乐品味更加兼收不收,但她们在当前的流行音乐中找不到什么吸引力,而且她们认为音乐中普遍存在对女性的不尊重。与会者还认识到,目前男性主导广播节目的趋势可能会使潜在的女性听众失去兴趣。
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Listening, but Not Being Heard: Young Women, Popular Music, Streaming, and Radio
ABSTRACT The recording and radio industries have faced a reckoning over their lack of gender equity. While Generation Z is poised to become the dominant music audience, research on the wants and needs of young women listeners is lacking. This study used focus groups to investigate how Generation-Z women feel about today’s music and audio media options. Specifically, their musical tastes are more eclectic, but they find little appeal in current popular music, and they see widespread disrespect for women in music. Participants also recognize that current trends of male-dominated radio presentation are likely to turn potential women listeners away.
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来源期刊
CiteScore
1.10
自引率
0.00%
发文量
33
期刊介绍: Popular Music and Society, founded in 1971, publishes articles, book reviews, and audio reviews on popular music of any genre, time period, or geographic location. Popular Music and Society is open to all scholarly orientations toward popular music, including (but not limited to) historical, theoretical, critical, sociological, and cultural approaches. The terms "popular" and "society" are broadly defined to accommodate a wide range of articles on the subject. Recent and forthcoming Special Issue topics include: Digital Music Delivery, Cover Songs, the Music Monopoly, Jazz, and the Kinks. Popular Music and Society is published five times per year and is a peer-reviewed academic journal supported by an international editorial board.
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